Archive for the ‘zombies’ Category

Saturday, January 31st, 2009

Cataloging and fun

On Thursday we introduced a silly new “meme” page called “Dead or Alive?” which listed your authors by their mortal status–alive, dead, unknown or “not a person.” (See the blog post or check out yours.) The feature drew on the birth and death dates of the authors in our Common Knowledge system, a free (Creative Commons) “fielded wiki” for miscellaneous “cataloging” information (think “Wikipedia for book info”). To move an author from the “unknown” column, members had to find their dates and enter them onto into Common Knowledge.

Here’s a chart of Common Knowledge contributions over the last month.* Can you spot the day “Dead or Alive?” went live?

As you can see, birth, death and gender edits (gender is where you mark an author as “not a person”) went through the roof when the feature was announced—from an average of 143 edits per day, to 3731 and 3584, 25 times the average. Other edits went up too—a 30% increase.

A few members joked that it was a plot to encourage contributions to Common Knowledge. It wasn’t that. I just thought it was a funny idea, but I wasn’t unaware that it would have that effect. Indeed, the upshot shows again something of a LibraryThing finding—that regular people will contribute cataloging information if you make it meaningful to them. That is, whatever incentive there is to add author information, the incentive is increased when they’re your authors, and increased again when that information does something for you. Of course, even if incentive is personal, the effect is general; you update the author because you have his or her book, but everyone else shares in the value of that update.

The way this works undercuts a common myth of “Web 2.0″—that there are all these people out there adding “user-generated content” out of altruism or an extreme mismatch between time and exciting things to do. And it cuts against an older myth, that cataloging is so boring you have to pay people to do it.

We’ve seen the same jump every time we introduced a new Common Knowledge category, and again when we made that category “come alive” in some way for members. And although the short-term jump will surely level out, the overall rate of “dead-or-alive” entries certainly not. You get more changes when the changes do something for people.

Now, of course, there’s a whole list of things this doesn’t mean. It doesn’t mean that LibraryThing members are doing their job well (although I suspect they are). It doesn’t mean the same would apply to much more difficult forms of cataloging, or to forms that generally presuppose professional training (ie., LCSH). And it doesn’t mean that regular people will get to the “rare stuff,” indeed it probably means that average cataloging attention is directly related to popularity of the underlying item.

Even so, pretty cool. Oh, by the way, I’m adding a feature allowing you to compare yourself to other members, which should inflame the other great motive for personal metadata—competition. After all, my library has a higher dead/alive ratio than yours!

UPDATE: Here’s the current chart, without day-norming. Notice how everything went up.


*The numbers are normed against day-related changes. Basically, we smoothed out that many more edits are made on Monday than Saturday.

Labels: cataloging, dead or alive, social cataloging, zombies

Thursday, January 29th, 2009

Brains! Brains!

New Feature. I just released a minor feature, a new meme “Dead or Alive?” which breaks down your LibraryThing authors by whether they’re dead, alive or unknown. Check out mine or go to your profile and select “Memes” to find yours.

The information is based on the various authors’ birth and death dates in Common Knowledge. It works pretty much as you suspect. People with death dates are dead. People with birth dates only are alive, unless they’d be over 100. The rest are unknown. The system tracks when you use it, so I can add some statistics on whether your authors are more or less dead than others’ authors.

UPDATE: For clarity, you can change authors by going to their author page and editing in a birth or death date. For now, organizations are identified by being of the gender “n/a.”

New Books. I need no segue to mention two books I recently discovered. The first is Pride and Prejudice and Zombies from Chronicle Books, due out in April. According to the description:

“Pride and Prejudice and Zombies — Pride and Prejudice and Zombies features the original text of Jane Austen’s beloved novel with all-new scenes of bone-crunching zombie action. As our story opens, a mysterious plague has fallen upon the quiet English village of Meryton—and the dead are returning to life! Feisty heroine Elizabeth Bennet is determined to wipe out the zombie menace, but she’s soon distracted by the arrival of the haughty and arrogant Mr. Darcy. What ensues is a delightful comedy of manners with plenty of civilized sparring between the two young lovers—and even more violent sparring on the blood-soaked battlefield as Elizabeth wages war against hordes of flesh-eating undead. Complete with 20 illustrations in the style of C. E. Brock (the original illustrator of Pride and Prejudice), this insanely funny expanded edition will introduce Jane Austen’s classic novel to new legions of fans.”

It’s an amusing idea. Taking on classics from a different vantage point has been done many times—think Wide Sargasso Sea, whose heroine is the “madwoman in the attic” of Jane Eyre. Others have have done prequels and sequels to famous works; at a low-point of my youth I read the entirety of Heathcliff—The return to Wuthering Heights. But has anyone taken the full text of a classic and inserted scenes of an entirely different character? The possibilities are endless. It’s the tragic story of star-crossed lovers set against the backdrop of 16th-century Verona—and an alien invasion! (Working title: Romeo and Juliet and Aliens).*

Another good titles is Jailbait Zombie by Mario Acevedo, picked up by Sonya at the recent American Library Association meeting in Denver. According to Sonya’s friend, another zombie-lover (but not literally), Zombie Jailbait “isn’t as good as the author’s Undead Kama Sutra,” an assessment that brings into high relief the problem with comparatives.


* I’m looking for other good titles. There is, of course, the moving story of two parents locked in a tragic custody battle over their young son—and stalked by a killer from another planet (Kramer versus Kramer versus Predator), but the movie is better known than the book.

UPDATE: A commentor points out All the World’s a Grave by John Reed, piecing together Shakespearian lines into a new play. The granddaddy is Pingres of Halicarnassus’ lost reworking of the Iliad, inserting a pentameter of his own creation between Homer’s hexameters (here). Those aren’t quite what I’m talking about.

Hat-tip to Lux Mentis for Pride and Prejudice and Zombies.

Labels: humor, new feature, new features, zombies