Archive for October, 2015

Monday, October 26th, 2015

Q&A with David Mitchell

David Mitchell—award-winning author of Man Booker Prize shortlist nominees Cloud Atlas and Number9Dream—is known for his complex narratives, spanning decades of time and generations of characters, frequently with a hint of the paranormal. Mitchell holds an M.A. in Comparative literature from the University of Kent. In addition to his own novels, he also translated the memoirThe Reason I Jump into English from the original Japanese.

Slade House is Mitchell’s seventh novel (out October 27th, from Random House), and is our pick for November’s One LibraryThing, One Book group read (starting November 9th). On the heels of last year’s The Bone Clocks, Mitchell’s latest is a sharp riff on the haunted house story, with its own rules and surprises.

David was kind enough to chat with LibraryThing staffer Loranne about haunted houses, Twitter, and his latest work.

Slade House fits within the broader world you created in The Bone Clocks, while also being a self-contained haunted house story. What spooky tales are personal favorites/did you draw on for your inspiration?

The Monkey’s Paw by W.W. Jacobs sets the gold standard, for me. Lordy lordy it’s good. Stylistically polished, philosophically attentive and with its cosmology and present time-line in perfect balance, it’s no accident that this English short story from 1902 appears in so many anthologies of the supernatural. Poe casts a long shadow from an earlier era, but you read him more for sound, colour and flavour than to be outwitted; ditto H.P. Lovecraft.

For the longest successful single-narrative haunted house story that doesn’t develop into horror, I’d go back to Henry James’ The Turn of the Screw, which is both a flawless novella and an exploration of the genre: are the ghosts parapsychological or psychiatric in origin? M.R. James’ dreamlike stories beguile more than they frighten a modern readership, but stories like his often-anthologised “Oh, Whistle, and I’ll Come To You My Lad” persist in the memory for decades. Shirley Jackson’s The Haunting of Hill House prefigures an evolutionary jump in the 1970s with cinematic American novels by Stephen King and his generation. King often confounds the Ghosts + Gore = Horror equation, and I don’t see how it’s possible not to be influenced by The Shining, once you’ve read it. (Kubrick’s film is justly famous, but differs from King’s fine novel in several key points.)

The last influence I’ll refer to here is an American book whose title and author I’ve forgotten: it was one of those Choose Your Own Adventure books from the early 1980s which my local library in Malvern stocked—they were hugely popular, and the resourceful librarian had to reinforce the spines and covers with adhesive clear plastic. The book I’m thinking of was set in a witch’s house, and one of its plot-lines ended up with you dropping a tea-pot and smashing it on the floor. You said, “I’m sorry, I’ll pay for it,” and the witch replied, “Oh but you will”: and no matter how many fragments of porcelain you picked up, you could never finish—nor could never stop bending down to pick up more. Sisyphean and dark or what?!

Interviewer’s note: I was a huge Choose Your Own Adventure fan as a kid myself, and now I’m dying to know which one this is! Any LibraryThingers out there have a guess?

I think part of why the haunted house story resonates so well is that many of us recall a strange house that others automatically avoided (for reasons supernatural or not) from our childhoods. Is there a “haunted house” that you remember from when you were growing up?

Cool question. There’s a totemic quality about childhood, meaning that pre-adulthood endows you with an ability to award sentience to inanimate objects. That stain on the wall is a melting face; that swirl of grain and knots in the pine wardrobe is a Cyclops bent over in laughter; those creaks in the nooks and crannies of the night are—obviously—the footsteps of the orc made out of chewing gum you were dreaming about just now. My point is that kids experience every house as potentially haunted, even the small post-war, cookie-cutter mass-constructed houses that me and pretty much everyone I knew in my childhood lived in.

Since you ask for one specific house, though, I’ll offer up a bungalow owned by one of my mum’s friends on the English coastal town of Bognor Regis. Mum took me on a visit there around 1980, when I was eleven. The trip wasn’t a great idea. My mum’s friend’s malign mother also lived in the bungalow and she disliked children. Also resident was a grandfather clock, and in my perception, it and the old woman were somehow one and the same. The clock watched the long hallway and its rhythmic ‘thunk-click, thunk-click, thunk-click’ was like a wood-and-bronze cardio-pulmonary system. One morning I stopped the pendulum with my hand. The silence was thunderous and I grew scared that I’d killed the clock. I tried to set the pendulum swinging again, but instead of a calm and even rhythm like before, the pendulum swung irregularly and drunkenly, and any further remedial measures just made things worse. In fiction, of course, I’d then discover the corpse of the unpleasant old woman: in reality, I did what any honest and conscientious Sunday School boy would do: flee the scene of the crime and deny all knowledge. Three times, before the cock crowed.

The structure of Slade House is similar to that of The Bone Clocks: each section follows the perspective a different character than the one before, skipping ahead at nine-year intervals. What was your favorite section or scene to write and why?

I like Nathan in 1979 because in it I’m setting up the story and because the boy is such a square peg in a round hole. I like Gordon the cop in 1988 because Nathan set up expectations which I can now confound. I like Sally in 1997 because of her insecurities and the fast succession of house party scenes allows me to (try to) get a bit David Lynch-esque. I like Freya in 2006 because through her I can explore the origin stories of Slade House. I like the fifth and final section, because I get to occupy the body of the novel’s antagonist, and it’s always fulfilling to endow characters with the requisite three dimensions. So really, I liked writing all of the sections: if you’re not enjoying it, it’s usually because you’ve taken a wrong turn, so you need to backtrack and work out how to fix it. Then you enjoy it again.

You’ve explored Twitter as a storytelling medium more than most—Slade House having evolved out of The Right Sort, and now with the companion piece of @I_Bombadil. What’s it like writing a story for Twitter vs. working on a novel?

Working on a novel is like describing a landscape over which you are floating in a slow-drifting balloon, with powerful binoculars, on a bright afternoon with perfect weather conditions. Working on Twitter fiction is like describing a landscape of tunnels and gorges you are glimpsing through the fogged-up window of a bullet-train. Twitter fiction also demands short names: have a name as long as ‘Benedict Cumberbatch’ and you may as well knock off early and go home.

»For more from David, check out our full interview here!

Labels: author interview

Thursday, October 22nd, 2015

One LibraryThing, One Book: Slade House

We’re back for another round of the site-wide group read, One LibraryThing, One Book.

This month’s pick is the upcoming novel from Cloud Atlas and The Bone Clocks author, David Mitchell, entitled Slade House. Out October 27th, Slade House is a riff on the haunted house story, and explores five different characters’ encounters with the titular Slade House, spanning from 1979 to the present day. It’s a standalone novel, which also takes place in the same universe as last year’s The Bone Clocks. If you’re a fan of Mitchell’s work, or just like a good spooky tale (especially about creepy, old houses), I think you’ll enjoy this one!

UPDATE: I recently had the opportunity to interview author David Mitchell! For more on Slade House and his work, check it out!

Details

For the uninitiated, here’s how One LibraryThing, One Book works.

Official discussion will begin on Monday, November 9th, at 12pm Eastern. Slade House is a very quick, shot read, so we will not be breaking this one up into chunks as we have with past OLOB picks. Until discussion kickoff, we ask that members not create any new Talk topics for Slade House. On the 9th, go right ahead!

More

If you have any questions about One LibraryThing, One Book, or want to see what we’ve read in the past, check out our OLOB blog archive.

After Slade House, we’ll be taking a bit of a break until the new year, at which point we’ll be voting on our next OLOB pick.

Questions? Comments? Feel free to post them in the One LibraryThing, One Book group, or drop me a line at loranne@librarything.com.

Labels: One LibraryThing One Book

Monday, October 19th, 2015

LibraryThing App!

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We’re thrilled to announce the official LibraryThing iPhone App!

Free accounts. We’re giving away lifetime memberships to anyone who uses the app for the next month. Register for a new account using the LibraryThing App, or sign into the app with an existing account, and you’ll be automatically upgraded.

What it does. This is our first version, so we’ve limited it to doing the most basic functions you’ll need for cataloging on the go:

  • Browse and search your library.
  • Add books by scanning barcodes. Scanning to add is VERY FAST!
  • Add books by searching.
  • Browse and upload covers, using the iPhone camera.
  • Do minor editing, such as changing collections and ratings. Major editing sends you to LibraryThing.

Check out the app at https://itunes.apple.com/us/app/librarything/id948824489?mt=8

Come tell us what you think, and join the discussion on Talk. Need help? Check out our App Help Page.

Frequently Asked Questions

Is there an Android version of the app?
Not yet. With luck, we’ll do that next. Tim outlined some of the key reasons why we did iPhone first here.

Does it work on wifi? Offline?
Wifi, you bet. Offline, no.

Can I use it on my iPad?
It’s designed for the iPhone, but works on the iPad. NB: iPad cameras don’t have a built in flash, so you’ll want to make sure you’re scanning barcodes in a well-lit room.

Will you add X, Y, or Z features?
The app will never do everything, but future versions will do more. Your feedback is welcome on this Talk topic.

Labels: app, new features

Tuesday, October 6th, 2015

October Early Reviewers batch is live!

The October 2015 batch of Early Reviewer books is up! We’ve got 82 titles this month, and a grand total of 2,130 copies to give out, including new books from Umberto Eco, Dean Koontz, and David Mitchell. Which books are you hoping to snag this month? Come tell us on Talk!

If you haven’t already, sign up for Early Reviewers. If you’ve already signed up, please check your mailing/email address and make sure they’re correct.

» Then request away!

The deadline to request a copy is Monday, October 26th at 6pm Eastern.

Eligiblity: Publishers do things country-by-country. This month we have publishers who can send books to the US, Canada, the UK, Israel, Australia, France, and many more. Make sure to check the flags by each book to see if it can be sent to your country.

Thanks to all the publishers participating this month!

Henry Holt and Company Kregel Publications Lion Fiction
Tundra Books MSI Press Taylor Trade Publishing
Humanist Press CarTech Books P.R.A. Publishing
In Fact Books Akashic Books Beacon Press
Avery Vinspire Publishing, LLC Velvet Morning Press
Pneuma Springs Publishing Recorded Books HighBridge Audio
Random House EsKape Press Human Kinetics
Ballantine Books ForeEdge Brandeis University Press
Booktrope Bookkus Publishing BookViewCafe
Wisconsin Historical Society Press Putnam Books Tantor Media
EDGE Science Fiction and Fantasy Publishing JournalStone

Labels: early reviewers, LTER