Archive for September, 2021

Monday, September 27th, 2021

TinyCat’s September Library of the Month: The Dunedin Athenaeum & Mechanics’ Institute

To read more about TinyCat’s Library of the Month feature, visit the TinyCat Post archive here.

I had the pleasure of interviewing Christine, who is the Librarian at one of the oldest athenaeums in New Zealand—the Dunedin Athenaeum & Mechanics’ Institute—this past month. Christine was gracious enough to answer my questions during the nation’s latest COVID-19 lockdown (a big thanks!):

The Dunedin Athenaeum & Mechanics’ Institute in the 1930’s.

Who are you, and what is your mission—your “raison d’être”?

We are The Dunedin Athenaeum & Mechanics’ Institute, a subscription library established in 1851 by the Scottish settlers who founded the city of Dunedin in New Zealand in 1848. They held the strong Scottish belief that education was the key to prosperity and that knowledge was something to be obtained at all stages of life. Once they had weathered the first year of erratic food supplies and the privations of primitive shelters they turned their attentions to the higher things of life and founded an Athenaeum library with the remit to entertain and educate. They also established a Mechanics’ Institute to provide a more vocational education. Ten years on each organisation decided their aims overlapped to such a degree that merging would be sensible. The Athenaeum & Mechanics’ Institute prospered and quickly faced a seemingly eternal problem of moving to larger premises only to then almost immediately outgrow them. In 1870 they moved into a purpose built building in the Octagon, the centre of the city’s civic life, where it remains.

Tell us some interesting things about how your library supports the community.

Although we predominantly operate as a lending library we record a fortnightly radio show where I review the new books into the library and discuss any topics that have caught my interest. It is called Wireless Books and is broadcast by Otago Access Radio 105.4 FM. We host a monthly book group, the Athenaeum Book Club or ABC. Every Tuesday we hold an open lunchtime event where I read short stories by New Zealand writers. We also host various literary events. Dunedin has City of Literature status within the UNESCO Creative Cities Network and the Athenaeum has a close relationship with the City of Literature coordinator.

What are some of your favorite items in your collection?

Victorian-style archways within the library.

It is not strictly an item in the collection but the thing we most value is the building in which we’re located. It was purpose built for us in the grand Victorian style and we have been operating there since May 1870.

What’s a particular challenge your library experiences?

As we are a subscription library the biggest hurdle we face is convincing people in the internet age that it is value for money to pay a small subscription to gain the services of a dedicated librarian who comes to know their reading tastes and caters to them.

What is your favorite thing about TinyCat, and what’s something you’d love to see implemented/developed?

I love watching the animated cover display, I find it mesmerising. I think it would be really helpful to have a showcase function where people looking at your collection could select that and see a selection of books that you wanted to showcase. For us it would duplicate the shelf we have in the Athenaeum that holds the newest books and where most members make all their selections from.

Great suggestion! While we do allow you to show your animated cover display by “Recent items”, we have had some requests on giving more customization to the display.

Want to learn more about the Dunedin Athenaeum? Check out their Facebook Group, visit their website here, and find their full TinyCat collection here.

To read up on TinyCat’s previous Libraries of the Month, visit the TinyCat Post archive here.

Calling all TinyCat libraries: become TinyCat’s next Library of the Month—just send us a Tweet @TinyCat_lib or email Kristi at

Labels: libraries, Library of the Month, TinyCat

Wednesday, September 22nd, 2021

An Interview with Michael Tamblyn, Rakuten Kobo CEO

This month LibraryThing is pleased to catch up with Michael Tamblyn, the CEO of Rakuten Kobo, a Canadian ebook, audiobook and ereader company doing business in 150 countries. Tamblyn serves on the board of OverDrive, an ebook distributor working with both the non-profit and retail sectors; is involved with AGE-Well, a Canadian organization dedicated to developing technology and services for healthy aging; and is the founder of BookNet Canada, a “non-profit organization that develops technology, standards, and education to serve the Canadian book industry.”

What drew you to the book business and book technology?

I always loved bookstores. The small town where I grew up had a pretty standard books+cards+stationary store, but I thought it was fantastic and I began bugging the owner for a job at 11 or 12. He was a bookseller of the old school, wore three piece suits to work retail, and had absolutely no need of an urchin to work in his store. Fast forward 8 or 9 years, I’m working my way through a university degree in music, cooking at a restaurant that was attached to the iconic Canadian indy store, The Bookshelf. The store manager stuck his head in the door of the kitchen and said there was an opening in the bookstore and if anyone was interested, now was the time to speak up. I had just had a very timely conversation with one of my music instructors that went something like “If you get burned or cut working in a kitchen, you’re out of the program. You don’t get 2 months off to rehab an injury; you’re just out.” That got me into the store. Fast forward another couple of years, I have graduated with my music degree, so of course I’m still working in the bookstore. But I didn’t love stocking shelves, and we were just reading about this startup in Seattle that had just left the garage and was selling books online. I thought “We could definitely do this,” and the store owner agreed, so we gathered a little group together and started the first online bookstore in Canada,, next door to the store in the storage space of a gift basket company next door. It was 1995-ish. Since then, most of the jobs I’ve had have been where books, business and technology crash into each other.

You were part of the team that founded Kobo in 2009. What was your vision for Kobo, and what sets the company apart?

I was CEO of BookNet Canada when ebooks first started to gather momentum. We launched one of the first conferences on digitization, TechForum, and that was where Mike Serbinis gave one of the first presentations of this app that they had created, called Shortcovers. Indigo was backing it, and it was one of the purest examples I have ever seen of a retailer tackling the innovator’s dilemma head-on. They built something that threatened their core business and put their smartest people on it to make it work. Maybe a month after, they asked if I wanted to join to head up the sales and content sides of the business – ecommerce, publishers, authors, and anything else that needed a home. I had been running BookNet for six years, together with an incredible group of people, and it was one of those “don’t look, just leap” moments. I joined a company in a basement that was selling maybe 25 books a day.

But the vision was crystal clear: this is the start of a transformation in reading. No one, deep down in their hearts, believes that we are still going to be chopping down trees and  pressing ink into them 50 years from now to do our reading. So a change is coming. The only questions are “how quickly” and “who will make it happen?” What I had learned from and Indigo is that you can compete successfully against really big companies. Canada isn’t like the US – Amazon hasn’t washed away all domestic competition, online or in-store. If you are focused, have some serious up-front investment, and pick your battles carefully, you can dance between the elephants’ feet. So while Amazon, Apple, Barnes & Noble and Google were all fighting each other for control of the U.S. market, we started building out businesses in every single other country that looked like it needed an ebook solution. We partnered with retailers like Indigo who saw ebooks coming, wanted a solution that would let them maintain connection with their customers, and were looking for someone who could help them compete. And it worked. Now if you look around the world, Amazon really only dominates a couple of markets for ebooks — the US and the UK. Everywhere else, it’s a real fight – France, Germany, Netherlands, Spain, Italy, Australia, New Zealand, Portugal, on and on. And in most of those markets, there is a bookseller partnered with Kobo who is keeping their marketshare, going toe-to-toe with the biggest tech companies in the world. It’s pretty fantastic.

For some time now it has been in the public mind that there is a competitive, perhaps even antagonistic relationship between digital and print media. Do you share this view? What do you think the future of book publishing will look like, when it comes to print vs. ebooks?

There will always be print books. There are some books that are just beautiful objects. I would say this is a tempest-in-a-teapot issue made up of 1/3 economics, 1/3 aesthetics and 1/3 McLuhan.  Publishers make good margin on ebooks, and the physical supply chain has costs that publishers would probably love to say goodbye to. But the print book retail market is much more diverse – chains, Indies, grocery, discount stores – than the ecommerce or ebook business. If I had to guess, I think publishers look at the print world as a hedge, a barrier that keeps a few players from being completely dominant. So they are very careful to support it, maintain it, keep it healthy. That gets wrapped in “I could never let go of paper books! I love the smell of them and the feel of pages against my face…”. That’s an aesthetic stance more than a practical one, one that gets harder to sustain when you hit your 40s, need reading glasses and then find out that it’s really really nice to be able to make the font on a book bigger! There is a never-ending tension in the book business between higher-prices/smaller-audiences (hardcovers, trade paper) and books for the masses (paperbacks, libraries, ebooks, library ebook access). eBooks are just the latest manifestation of books as a mass medium: “How do we get this book to as many people as possible as cheaply as possible?” with all of the usual forces lined up against that impulse.

In a recent article for Forbes, you wrote about the hidden age discrimination in the tech world, that a disinterest in the needs of older consumers is a costly strategic error. What are the long-term benefits of designing with older users in mind?

You can approach it two ways: one is as an issue of accessibility. Anything you do that makes life easier for a sight-impaired person, for a person who has issues with manual dexterity, for a person who can’t lift something that is too heavy, it makes the experience better for everyone. The other is from a market perspective: older adults are the fastest growing demographic in the U.S., in Canada, in the EU. These are countries in the middle of a massive demographic shift. And they, on average, love reading, love books, have disposable income, and have time both to read books and buy them. Being in the book business and not designing for older adults is like being in the boat business but not caring much about motors, sails or oars.

Tell us about your personal library. What’s on your shelves, and what’s on your ereader?

In paper: cookbooks, art books, books that are just made beautifully that make you happy just by picking them up. In digital: everything else. All the fiction, non-illustrated non-fiction, fan fiction, the stuff that you read a review about and go “Oh that sounds cool – I should read that!” Really, everything where the content is more important than the object. I also move around a lot, so having most of my library with me all the time is a massive benefit.

What have you been reading recently, and what would you recommend to others?

I started missing travel about a year ago, so I was tearing through books that took me to places I knew. The Ben Aaronovitch Rivers of London paranormal series took me back to places I knew right down to the brass on the doorknobs. Meet Me In the Bathroom about the NYC music scene of 2000-2010. Layered through that was reading that was coming out of Kobo’s Diversity & Inclusion work: Eric Foner’s incredible books on Reconstruction, P. Djèlí Clark’s Ring Shout, 21 Things You May Not Know About the Indian Act by Bob Joseph (for the Canadians reading this). And then books I have been reading for our podcast Kobo In Conversation: Katie Mack’s The End of Everything (Astrophysically Speaking), Malcolm Gladwell’s The Bomber Mafia. So much good stuff.

Labels: book world, ebooks, interview

Tuesday, September 7th, 2021

September 2021 Early Reviewers Batch is Live!

Win free books from the September 2021 batch of Early Reviewer titles! We’ve got 98 books this month, and a grand total of 2,970 copies to give out. Which books are you hoping to snag this month? Come tell us on Talk.

If you haven’t already, sign up for Early Reviewers. If you’ve already signed up, please check your mailing/email address and make sure they’re correct.

» Request books here!

The deadline to request a copy is Monday, September 27th at 6PM Eastern.

Eligiblity: Publishers do things country-by-country. This month we have publishers who can send books to the US, Canada, the UK, Israel, Australia, France, Germany, and many more. Make sure to check the flags by each book to see if it can be sent to your country.

Thanks to all the publishers participating this month!

Candlewick EntertainmentWalker Books USCandlewick Press
West Margin PressNiv BooksAkashic Books
Black Rose WritingGalaxy PressRipetta Press
Plough Publishing HouseRootstock PublishingOoligan Press
New Vessel PressCity Owl PressBooxAi
BOA Editions, Ltd.TouchPoint PressBook Publicity Services
Cardinal Rule PressCrooked Lane BooksThree Rooms Press
Cozy Corner PressGreenleaf Book GroupTiny Fox Press
CarTech BooksOpen BooksRevell
BookViewCafeBellevue Literary PressRed Adept Publishing
Highlander PressGreystone BooksScience, Naturally!
Platypus MediaFrayed Edge PressVibrant Publishers
Henry Holt and CompanyBHC Press

Labels: early reviewers, LTER