Tuesday, May 15th, 2012

Summer internship at LibraryThing

Will you be around Portland, Maine this summer? Are you interested in libraries, programming, or website design? LibraryThing’s looking for a local intern (or two) to work on a variety of projects for us. Depending on your interests and skills, we may have you work on programming or design for LibraryThing.com; we’d also be interested in having some help on various Legacy Library projects, so if you have an interest in historical libraries and bibliography, we’d love to hear from you too!

Potential internship opportunities:

  • LibraryThing.com programmer. Build a new feature (or improve an existing one) for LibraryThing.
  • Designer-developer. Help LibraryThing plan its future look.
  • Legacy Libraries researcher/cataloger. Assist with research, cataloging and maintenance of the Legacy Libraries.

Skills

  • Programming. LibraryThing is made with PHP, mostly in non-OO code. We also use JavaScript and MySQL.
  • Design. The standard software and a keen eye.
  • Legacy Libraries, we’re looking for someone with an interest in library history and bibliographic description. You don’t need to have the programming and design skills mentioned above, but a familiarity with bibliographic databases and rare books is a must.
  • Bonus. Familiarity with LibraryThing itself would be extremely helpful.

Intangibles

  • We like to hire people who care about books and libraries, and believe in a open and humane vision of the future for both. We live to create technologies that make readers happy and keep libraries vital.
  • LibraryThing is an informal, high-pressure and high-energy environment. Programming is rapid, creative and unencumbered by process. We put a premium on speed and reliability, communication and responsibility.

Location

LibraryThing is headquartered in Portland, Maine. For these internships we’re looking for people who can be in the office regularly.

Compensation & Schedule

We’ll pay—minimum wage, but we’ll pay! We’ll work with you to come up with a suitable schedule for the summer, but ideally we’d like you to commit to about a month with us.

How to apply

Send an email and resume to jeremy@librarything.com. Instead of a cover letter, go through this blog post in your email, responding to it, especially the skills and intangibles part, and suggest some ways you could be useful or projects you’d love to work on. Include your availability for the summer months (June, July, August).

Labels: jobs

Monday, May 7th, 2012

May Early Reviewers batch is up!

The May 2012 batch of Early Reviewer books is up! We’ve got 100 books this month, and a grand total of 2,841 copies to give out.

First, make sure to sign up for Early Reviewers. If you’ve already signed up, please check your mailing address and make sure it’s correct.

Then request away! The list of available books is here:
http://www.librarything.com/er/list

The deadline to request a copy is Tuesday, May 29th at 6 p.m. EDT.

Eligiblity: Publishers do things country-by-country. This month we have publishers who can send books to the US, Canada, the UK, and more. Make sure to check the flags by each book to see if it can be sent to your country.

Thanks to all the publishers participating this month!

Taylor Trade Publishing Akashic Books Henry Holt and Company
Riverhead Books Lake Claremont Press Ballantine Books
Wilderness Press Ashland Creek Press Doubleday Books
Tundra Books South Dakota State Historical Society Press Random House
The Permanent Press Small Beer Press St. Martin’s Griffin
Exterminating Angel Press Touchstone Books Random House Canada
JournalStone Eerdmans Books for Young Readers Wm. B. Eerdmans Publishing Co.
Kayelle Press Random House Trade Paperbacks Putnam Books
Human Kinetics Heathrow Books William Morrow
Archipelago Books Talonbooks Leafwood Publishers
Palgrave Macmillan Safe Harbor Publishing Centrinian Publishing Ltd
BookViewCafe Bellevue Literary Press Quirk Books
McFarland Dragonfairy Press Kensington Publishing
Ingber Spiegel & Grau Stone House Press
Crux Publishing

Labels: early reviewers, LTER

Monday, May 7th, 2012

Reminder: Edible Books Contest!

Quick reminder: we’ll be accepting new entries for our Edible Books Contest until 4 p.m. EDT on Thursday, May 10.

See the contest announcement for all the details on entries, rules, prize information, etc. Or check out the entries submitted so far in the photo gallery.

Labels: contests, fun

Thursday, April 26th, 2012

April Author Interviews!

This month’s State of the Thing, LibraryThing’s monthly newsletter of features, author interviews and various forms of bookish delight, is on its way to your inbox. You can also read it online. It includes a reminder about our Edible Books Contest and more!

For one of our author interviews this month, I talked to Elizabeth Little about her new book Trip of the Tongue: Cross-Country Travels in Search of America’s Languages, published this month by Walker & Company.

What was the most enjoyable moment in researching Trip of the Tongue? The worst?

My most enjoyable moment was, without a doubt, my first evening in Neah Bay, a tiny town on the tip of the Olympic Peninsula in Washington State. I had just spent the past few days with friends in Tacoma, and I was loathe to leave their hospitality for what sounded like an uncomfortably rustic accommodation in the middle of nowhere. But then I discovered that I was staying in a cozy little cabin a stone’s throw away from this windswept gem of beach. That evening I walked along the sand in my bare feet as the sun set. Then I returned to my cabin to drink hot chocolate and read about language. A near-perfect evening.

My least enjoyable moment, on the other hand, was surely when I was in northern Maine, when I got caught in a snowstorm and had to battle all-day morning sickness. There’s a very good reason why that section didn’t make it into the book.

How did you end up deciding which particular languages to highlight in the book? Were there some that just barely didn’t make the cut that you’d like to tell us about?

The languages that made it into the book were those that really challenged my own assumptions about the history of language—or language itself—in the United States. I spent some time in San Francisco, for instance, but my background in Chinese language and culture made for a less than compelling narrative thread. It was a lot of “Oh, yes, I remember reading about that.” (Looking back on things now, I wish I had tried to look at Chinese language and culture in Old West frontier towns. Although that should probably be a book of its own.)

Some other sections had to be set aside because they led me down a very different path than the one I was trying to travel. The chapter that got cut at the very last minute was a chapter that looked at the impact of technological change—very particularly in transportation and manufacturing—on language communities in Baltimore, Cleveland, and Detroit. I loved my time in each of those cities – in Baltimore I met the loveliest and most helpful docent and historian at the city’s Jewish museum; in Cleveland I gorged on paprikash and learned about Hungarian girl scouts; and in Detroit I went to the Ford Rouge Factory, which turned out to be one of my favorite activities on the entire trip. Unfortunately, when I found myself compiling economic paper after economic paper for research purposes, I had to acknowledge that my focus was starting to drift.

In the final chapter of your book, you note that Trip of the Tongue didn’t end up being the book you thought it would be. How did you originally envision it, and how did your travels and experiences change the book into what it is?

At the beginning I envisioned that the book would be more of a romp: road-tripping high jinks with some linguistic data thrown in. What I ended up with, though, is something more like a meditation. On language, on discrimination, on my own preconceived notions. I first got an inkling of this in South Carolina, where I went to learn about Gullah. My very first day in Charleston, I learned about these spikes (called chevaux-de-frise) that some city residents put on their fences in the nineteenth century to protect themselves in the event of a slave rebellion. It was at that point that the desire to write anything resembling a romp died a swift death. The history of race and language and culture in the United States isn’t exactly rich in comedy. (Though I certainly tried to find it where I could.)

But I’m glad that I ended up somewhere very different than I’d intended. Because it’s not much of a journey of discovery if you only learn things you already knew.

Read the rest of our interview with Elizabeth Little.

I also talked to Diana Preston, the author of The Dark Defile: Britain’s Catastrophic Invasion of Afghanistan, 1839-1842, published earlier this year by Walker & Company.

For those who haven’t yet had a chance to read the book, give us a thumbnail synopsis of the First Anglo-Afghan War: how did the conflict come about, how long did it last, and what was the result?

The First Anglo-Afghan War in 1838-42 is one of Britain’s most notorious military catastrophes. The genesis of the war was British suspicion that imperialist and expansionist Russia was planning to advance through Afghanistan to invade India, Britain’s richest and most prized colonial possession. The Afghans resented the British presence, and the invasion was politically controversial at home. Barely two years after the British had occupied Kabul thousands of British and Indian troops, officials and their dependents suddenly found themselves besieged. A disastrous retreat to India under constant attack by the Afghan hill tribes left only one Briton and several Indian soldiers alive. When the news of the disaster reached Britain, it was greeted with anger and the British sent an army of retribution to punish the Afghans. Soon afterwards, the British withdrew from Afghanistan with their puppet king already murdered, allowing Dost Mohammed, who had surrendered to the British and been exiled by them, to return. The entire enterprise was a disaster that soured British-Afghan relations for many years.

How did you come to be interested in the conflict, and how long was the research process for The Dark Defile?

I’ve been interested in the conflict for a long time and in particular in some of the characters but the more I began delving into the sources the more I realized it is something of a cautionary tale. The Duke of Wellington (the conqueror of Napoleon at Waterloo and a former Prime Minister) predicted at the time—accurately as it turned out—that “The consequence of crossing the Indus once, to settle a government in Afghanistan, will be a perennial march into that country.” (British forces entered Afghanistan twice more over the subsequent 80 years, before doing so again as part of the current NATO-led force.) I became increasingly intrigued not only by what actually happened and the many vivid personal stories but also by the wider political and strategic issues surrounding the campaign.

Subsequent research in the UK and northern India took about two years.

I was struck by Lady Florentia Sale, whose diary of the war you draw on frequently in the book. Tell us how Lady Sale ended up in the middle of the conflict, and about her diary which recounts so vividly the events she witnessed.

Plain-speaking, fifty-year-old Florentia Sale arrived in Kabul to join her husband, a senior British officer nicknamed “Fighting Bob”. She devoted her early months to planting a flower garden but when the Afghans rose up she found herself trapped in Kabul without her husband who had left with his regiment for India. She commented acidly on subsequent British military incompetence and diplomatic vacillation, writing, “it appears a very strange circumstance that troops were not immediately sent into the city to quell the [rising] … but we seem to sit quietly with our hands folded and look on … General Elphinstone vacillates on every point. His own judgment appears to be good but he is swayed by the last speaker …”

She survived the early days of the British retreat, caring with her pregnant daughter for her dying son-in-law, a wounded British officer. She was then taken hostage by the Afghans. Her clear-eyed, unsentimental, occasionally humorous diary provides a detailed account of events, both previously in Kabul and then in her captivity and—unlike some of the other eyewitness accounts written with an eye to publication—rings true to the core. She describes how, as she and the other prisoners were bundled away by their Afghan captors, they passed naked starving people left behind by the retreating British column who were surviving “by feeding on their dead comrades.” She also wrote that she and the other prisoners quickly became verminous—”very few of us … are not covered with crawlers”—and learned to distinguish between lice which they called “infantry” and fleas which were “light cavalry”. She lived to be eventually reunited with her husband.

Read the rest of our interview with Diana Preston.


Catch up on previous State of the Thing newsletters.

If you don’t get State of the Thing, you can add it in your email preferences. You also have to have an email address listed.

Labels: author interview, authors, state of the thing

Thursday, April 12th, 2012

LibraryThing “Edible Books Contest”!

We haven’t run a good, old-fashioned contest in a while, so it’s time! We’re going to try something new (to LibraryThing) for this one: it’s a virtual Edible Books Contest!

How to participate:

1. Create an “edible book.” We’re defining this broadly, so entries can include dishes:

  • referencing a book’s title or characters (puns are entirely welcome)
  • inspired by a book’s plot
  • in the shape of an actual book (or eBook, or scroll, etc.)
  • takeoffs on the LibraryThing logo

2. Take some photos of what you made. The photo at right is one of the entries from the Topeka & Shawnee County Public Library’s Edible Books Festival (see more of their photos here).

3. Upload the photo to your LT member gallery. Sign in, then go here and click the “Add another picture” link to add the image.*

4. When adding the image, tag it “EdibleBooks2012”. This will add your image to the contest gallery, and counts as your entry into the contest. If your photo doesn’t have the tag, we won’t know that you’ve entered. You’ll be able to see all the entries here.

5. Tell us about it in the “Title/description” box.

Deadline: Add your photos by 4 p.m. EDT on Thursday, May 10.

What we’ll do:

Based on all the images in the “EdibleBooks2012” photo gallery, LibraryThing staff will choose the following winners:

Grand Prize (1)

  • An LT t-shirt (size/color of your choice)
  • An LT library stamp
  • A CueCat
  • An LT sticker
  • Three lifetime gift memberships
  • Great honor

Runners Up (2)

  • Your choice of one LT t-shirt, stamp, or CueCat
  • Two lifetime gift memberships

We may also pick a few Honorable Mentions—final number will depend on the number of entries received—and they’ll receive a lifetime gift membership.

Have fun!

Fine Print: You can enter as many times as you like, but you can only win one prize. Your dish must be made of edible ingredients (no hats, lost-wax sculptures, performance art), and by entering the contest you certify that it is your own creation. All decisions as to winners will be made by LibraryThing staff, and our decisions are final. LibraryThing staff and family can enter, but can only be honored as prize-less runners-up. Any images you load stay yours, or you can release them under a copyleft license, but we get a standard “non-exclusive, perpetual” right to use them.

Questions? Feel free to post questions/discussion/etc. here.


* We thought about having everyone send us their dishes for judging (and tasting). But we decided they might not hold up to mailing well, and that our waistlines probably couldn’t handle it!

Labels: contests, fun