Author Archive

Thursday, November 19th, 2020

Win $1,000 in books: LibraryThing Needs a Great Developer

HireDeveloper_3

Update:

We are no longer accepting applications for this position.

LibraryThing runs on PHP, in almost entirely non-OO code. We will strongly prefer people with PHP experience, but other, flexible programmers are welcome to apply.

Good to Have

  • PHP. Most of our code is PHP-based, but we also use Objective-C, Python and Java.
  • MySQL. LibraryThing is relational-database intensive. We work directly with the database.
  • JavaScript. We try to do as much as possible on the back end, but JavaScript is a must.

Plusses

  • Library Experience. LibraryThing does a lot of work in the library world and many applicants will likely have that background. An MLS is a definite plus, as is library work and knowledge of library standards and technologies.
  • Book-World Experience. Experience in bookstore or publishing would be a plus.
  • Mobile Programming. This is not a mobile programming job, but if you have mobile experience you could help on one of our apps.
  • Design Experience. This is not a design job, but design experience would be a plus.

Non-Technical

  • Working remotely puts a premium on communication skills, discipline, and internal motivation.
  • We want to hire people who care about books and libraries, and believe in an open and humane vision of the future for both. We live to create technologies that make readers happy and keep libraries vital.
  • LibraryThing is an informal, high-energy, small-team environment. Programming is rapid, creative, and unencumbered by process. We put a premium on speed and reliability, communication, and responsibility.
  • All LibraryThing employees interact with members and/or libraries directly. We believe that “The User is not Broken.”
  • We develop and refine ideas together. We need your ideas and your criticism as much as your labor.
  • Interesting, passionate people make interesting, passionate products. Besides loving books, this is the rare job for which a masters in Medieval Irish or a side gig as a jazz bassist would be a plus.

Location and Compensation

This is a remote job open to anyone eligible to work in the US. We’d love to employ people outside the US, but we’ve done it before, and, for a small company, the legal hassles are too great.

All we can say for salary is that we will consider applicants with a wide degree of skills and experiences, the range is as $60-100k, or more. We are looking for the right person, not the right salary.

LibraryThing offers excellent health and dental insurance. We require hard work but are unusually flexible about hours.

Read Before Applying

Before you apply, you should make sure you can do the LibraryThing Programming Quiz, which is something like Jeff Atwood’s “Fizz Buzz.” Our interviews include a simple programming quiz not unlike that. If you object to such things, please do not apply.

How to Apply

Send a cover-letter email and PDF resume to info@librarything.com. Please also include your solution to the LibraryThing Programming Quiz, so we know you took the time to do it. Your cover letter should go through this job advertisement, responding to it. If possible, send us or link us to code samples.

The Fine Print

LibraryThing is an equal opportunity employer and will not discriminate against any employee or applicant on the basis of religion, race, color, national or ethnic origin, age, sex, disability, sexual orientation, gender identity or expression, pregnancy status, parental status, marital status, veteran status, or any other classification protected by applicable federal, state or local law. Did you read this far? Prove you did by making your subject line “Feta Cheese: [Your name].”

Labels: employment

Tuesday, October 6th, 2020

Win $1,000 in books: LibraryThing needs a Project Specialist (Remote)

shelfshot

Update:

This position has been filled. See our blog post on our newest employee for more details.

We need to find a great new employee, so we’re offering $1,000 worth of books to the person who finds us one. What would you buy? Everything.

Rules! You get a $1,000 gift certificate to the local, chain or online bookseller of your choice. To qualify, you need to connect us to someone. Either you introduce them to us—and they follow up by applying themselves—or they mention your name in their email (“So-and-so told me about this”). You can recommend yourself, but if you found out about it from someone else, we hope you’ll do the right thing and make them the beneficiary.

Small print: Our decision is final, incontestable, irreversible, and completely dictatorial. It only applies when an employee is hired. If we don’t hire someone for the job, we don’t pay. If we’ve already been in touch with the candidate, it doesn’t count. Void where prohibited. You pay taxes, and the insidious hidden tax of shelving. Employees and their families are not eligible to win.


 

Job Ad: Project Specialist for LibraryThing

LibraryThing is hiring a project specialist (full-time, remote position). Although we’d love someone in Maine, the job is open to librarians and other book lovers throughout the United States.

You Must

  • Love books, love people
  • Write, edit, and communicate clearly and quickly
  • Work well independently and under direction
  • Manage your time effectively
  • Understand What Makes LibraryThing LibraryThing
  • Be organized and detail-oriented enough to read and follow all the directions in this ad

We Want

We will pick smarts, affability, and drive over any skill. And we’ll tailor the job to fit your skills and experience.

An ideal candidates might have some or all of these:

  • Book-world experience
  • Library experience (with or without an MLS)
  • Professional social media experience
  • Familiarity with bookish social media
  • Creativity and enthusiasm to learn new things
  • Excellent computer skills. (We’re a Mac shop.)
  • Technical skills (Excel, HTML, CSS, SQL)

Your duties will probably include:

As a small company, we have few “siloes.” So other duties calling on organization, adaptability, diligence, intelligence, and creativity will pop up, and you must play an engaged and constructive role in company meetings on any topic.

Your job may include occasional travel—once that’s possible again—to meet your coworkers and perhaps to publisher or library conferences.

Compensation

Because we’re willing to consider a wide variety of applicants, we can’t set a salary. But our health insurance is gold-plated. We require hard work and are only looking for full-time applicants, but we are unusually flexible about hours.

How to Apply

Send your resume in PDF format to tim@librarything.com. Your email should be your cover letter. It should show your ability to be persuasive but succinct.

If we interview you, we will ask you to write and edit something “live.” We do this together a lot, so if that makes you uncomfortable, this might not be the job for you.

Fine Print

LibraryThing is an equal opportunity employer and will not discriminate against any employee or applicant on the basis of religion, race, color, national or ethnic origin, age, sex, disability, sexual orientation, gender identity or expression, pregnancy status, parental status, marital status, veteran status or any other classification protected by applicable federal, state, or local law.

Remember that part about diligence? Your subject line should be “Brie Cheese: [Your name]” so we know you are diligent.


 

Bookshelves image courtesy Germán Poo-Caamaño (see Flickr), CC BY 2.0.

Labels: employment, jobs

Tuesday, September 22nd, 2020

Author Interview: Nancy Pearl and Jeff Schwager on The Writer’s Library

Tim interviewed Nancy Pearl and Jeff Schwager, authors of The Writer’s Library: The Authors You Love on the Books That Changed Their Lives. Nancy Pearl is, of course, the Seattle librarian, author of numerous books, action-figure model, and regular contributor on NPR. Jeff Schwager is a writer, editor, producer, playwright—and book lover.

If there is a “LibraryThing book,” The Writer’s Library is it! LibraryThing members may or may not be interested in a given book, but we are always interested in books! The Writer’s Library is, essentially, a whole book going deep on author’s reading history, personal libraries and recommendations. I loved it. I hope you enjoy the interview!

TIM: What sorts of books did you read as children?

NANCY: I grew up in a home that we’d now call dysfunctional, but to me, back when I was a kid, it was just not an easy place to be, so I spent all my time at my local public library – the Parkman branch of the Detroit Public Library system. Miss Frances Whitehead was the children’s librarian, my librarian, and she fed my insatiable need to escape through books. I read, when she met me at about age 8 or 9, only horse and dog books, but she soon expanded my reading into books like The Hobbit, Mary Poppins, The Wind in the Willows, all the Rosemary Sutcliff books, and all of the Newbery Award titles. Of course, I continued reading all the horse and dog books too. It was because Miss Whitehead saved me from total despair that I became a children’s librarian, because, at age 10, I wanted to do for other kids exactly what she did for me: gave me the world of books.

JEFF: From an early age I remember loving mysteries. I read Two Minute Mysteries and Encyclopedia Brown, followed by all of the Sherlock Holmes stories and Agatha Christie’s Hercule Poirot books.

TIM: Was there a book that made the turn for you into adult reading?

Nancy Pearl

NANCY: The first book I ever checked out from the adult section of the library was Gone with the Wind, and I loved it. Another adult novel I checked out early on was called The Headland, by Carol Ryrie Brink. I remember taking it from the bookshelf because I was familiar with the author, from having read Caddie Woodlawn and Family Grandstand, and all her other books.

JEFF: For me it was a paperback of short stories by F. Scott Fitzgerald called Babylon Revisited and Other Stories. I started on a rainy afternoon in high school with the story “Winter Dreams,” which is a sort-of early version of The Great Gatsby about idealized and therefore doomed first love. What hit me, other than the heroine, who was a composite of every girl I lusted after in high school, and the hero, who was almost as pathetic as I was, was the beauty of the writing, the amazing musical flow of the sentences. That’s still the thing I respond to most fervently in my reading. 

TIM: You’re both fine writers in different genres. Do you have any advice for other writers?

NANCY: Whenever I’m asked this question, I’m reminded of what Ernest Gaines once said in a talk at the Seattle Public Library when he was asked the same question: “I have eight words of advice: read read read read write write write write.” It’s hard for me to imagine how someone can be a great—or even good—writer without being a reader. And I think that comes through in the interviews in The Writer’s Library. I know when I wrote my first (and probably last) novel, George & Lizzie, I knew exactly what kind of novel it would be, because I was writing it for myself and I knew what kind of books I loved.

TIM: Can you tell me about your personal libraries? Are you collectors, hoarders, or something else?

NANCY: I am not a collector, but there are books that I keep just because I loved them at one time. I have many novels that I read as a young teen (mostly purchased at library book sales), which I will probably never re-read, but that I can’t bear not to have in my personal library. My favorite writer from those years is Mary Stolz. She wrote books for both teens and younger children, but I only love the teen ones. I have re-read some of her teen novels and they actually hold up quite well. Of course they’re long out of print, but if you can find In a Mirror or Second Nature, I’d highly recommend both of them. Other than those teen novels (other than Stolz I have books by Anne Emery, Rosamund du Jardin, and Lenora Mattingly Weber), I’ve kept a lot of my favorite novels and a few nonfiction titles.

JEFF: I am a collector and a hoarder–meaning I have some books I cherish and many, many more that I just can’t bear to part with because I might, just maybe, want to look at them someday. As a collector, I focus on specific authors I love, including Chekhov, Philip Roth, Denis Johnson, Ross Macdonald, Raymond Carver, Richard Yates, and John O’Hara (all dead white men), as well as modern signed first editions (a more diverse lot, including my favorite living writer, Alice Munro, who is a master of compression and manages to get the depth of a novel into each of her short stories), pulp paperbacks, old Random House plays, slipcased editions… the list goes on and on, as does my library, which has taken over my fairly large house like a monster from a ’50s sci-fi movie. 

TIM: I loved hearing authors talk about books as objects, such as Jonathan Lethem collecting books for their cover designers. Do you have books you treasure as objects per se?

NANCY: No, not really – for me it’s always what the books say, what that means to me, rather than as a valuable object.

Jeff Schwager

JEFF: I love books with slipcases, like Folio Society and Limited Edition Club books, as well as clean old books, which have such a wonderful smell. I love beautiful dust jackets–the best ever is the one for the first edition of John O’Hara’s Appointment in Samarra. I love deckle edged pages. I have some beautiful illustrated Limited Edition Club editions of Isaac Bashevis Singer books—The Magician of Lublin, Satan in Goray, and some short stories–that evoke the shtetls of my ancestors, that I love. Of modern books, I love the design of Dave Eggers‘ McSweeney’s Books–check out Samuel Johnson is Indignant by Lydia Davis and Maps and Legends by Michael Chabon, to name two, which are such beautiful literary artifacts. 

TIM: How did you pick the authors you wanted to interview? Did you fight over who would get to do them?

NANCY: We started out by each making a list of the authors we wanted to interview and discovered, to our relief, that there was some overlap (T.C. Boyle, Charles Johnson, Michael Chabon, Louise Erdrich, Donna Tartt). Then we each had authors who we were passionate about but that the other person wasn’t as enthusiastic about. I won’t say it actually came to fisticuffs, but I believe that voices were raised in the ensuing discussions. And we ended with, I think, a wonderfully diverse collection of writers, so, as Ma says in Little House in the Big Woods, “all’s well that ends well.”

TIM: My favorite interview was with Laila Lalami, an author I have not read but will now. You probably can’t say which was your favorite, but how about one you loved?

NANCY: For me, each interview is special in its own particularly lovely way. I think that’s because we didn’t have a list of questions that we asked each writer—we began each interview by me asking a general sort of question about reading as children, or growing up in a reading family, but after that, we let the interview basically go where the writer took it. I loved the interview with Michael Chabon and Ayelet Waldman because we talked so much about children’s books. I loved the interview with Luis Urrea because of the way his childhood reading was determined by the circumstances of his parents’ marriage. I loved the interview with Madeline Miller because she and I felt the same way about John Updike’s The Witches of Eastwick. I loved the interview with Jenny Egan because of her story about reading Rebecca. I loved the interview with Amor Towles because he also read a series of mysteries in publication order. I loved the interview with Jane Hirschfield because I love poetry, which she talked about with such precision. I loved the interview with Laila Lalami because I learned so much about the experience of colonialism. I loved the interview with Russell Banks because of the story of his 4th grade teacher and Brazil. And so on.

JEFF: I loved them all of course, but one that stands out was T.C. Boyle, who lives in Montecito, down the street from Oprah Winfrey, in the first house Frank Lloyd Wright built in California. I was really eager to see his home, which was gorgeous, and to talk again to Tom (as he is casually known), whom I had first interviewed when I was a young journalistic pup thirty years ago. He is as funny as his funniest short stories, and also as thoughtful as his most serious novels, including my favorites, World’s End and Drop City.

TIM: In her lovely foreword, Susan Orlean recounts how the dementia and death of her mother was, in a way, the death of a library. More literally, dismantling my parents’ library, which encoded so much of their lives, was a second loss. What will happen to your library—however defined—when you die? 

NANCY: I hope my daughters will look inside all the books and find the ones that are autographed and keep or sell those (especially a book of poetry by Stephen Spender and a beat-up copy of Langston HughesMontage of a Dream Deferred both of which are signed to me personally). Other than that, I’m trying not to care too much about them.

JEFF: I’m leaving mine to Nancy—she walks 5-8 miles a day while I obsess over MSNBC 24/7, so I’m sure she will outlive me!

TIM: I could imagine a series of these books. Would you consider doing another? Anyone you wish you could interview?

NANCY: I’d love to do another collection, so we could talk to more poets, more writers at the beginning of their careers, more science fiction/fantasy writers, more nonfiction writers. But one of the things that makes The Writer’s Library special, I think, is that we’re with the authors in person, mostly in their homes. I don’t want to do a series of Zoom interviews – I don’t think it would be the same.

JEFF: There are so many writers I’d love to interview! If I could interview one living literary writer it would be Alice Munro, but we were told last time she was retired and not doing any more interviews. Otherwise, more poets definitely, and writers in genres we didn’t get to this time, like mystery and sci-fi/fantasy writers and playwrights. Also, I love literate songwriters—especially Bruce Springsteen, whose autobiography was wonderful and who is so well read, and whose songs show the influence of his reading. Call us, Bruce! And the Obamas, whose memoirs are as thoughtful as they are. I can’t wait for his new book. If you’re reading this Barack and Michelle, let us know–we will go anywhere, anytime, anyplace to talk to you!

Labels: author interview, authors, interview

Wednesday, June 3rd, 2020

Series Gets a Revamp

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Short Version

Today we roll out a new version of “Series” and “Publisher Series.” Here are some pages to check out:

We’re going to be discussing New Series starting from this Talk post.

The rest of this blog post explains the whys and wherefores in great detail.

“Old” Series

Before today, series were based on the Common Knowledge system. Common Knowledge is a simple “fielded wiki,” a system for keeping and tracking simple values.(1) To add a series to a work, you’d go to the common area of a work page and fill it out as follows:

bryson

It got complex quickly. Here’s one Star Wars book, with stuff inside parentheses for sorting and labeling.

starwars

Needless to say, an entry like “Star Wars (0.0112994350|88.5-22 BBY)” was inaccessible to many. Nor could works be added to a series on the actual series page. Series didn’t extend well to other languages—unless the names coincided, there was endless duplication of effort. A lack of any sort of grouping or subseries gummed up major series with edge-cases, like the re-segmentation of the Lord of the Rings applicable to only some Japanese editions, and made it tricky for users to look at a series and figure out what to read. And while some information came to adhere to series, the whole system was jerry-rigged. Finally, adding NEW features was truly impossible!

It is testimony to the passion and diligence of LibraryThing members over the last 13 years that they have added some 125,000 “regular” series and 30,000 “publisher” series!

“New Series”

New series starts with a more sophisticated data structure and user interface. Series exist as their own, complex entity, like works and authors are, not as series of Common Knowledge “strings.” This means:

  • Adding to series can be done on either work pages or series pages. (On work pages, series have been moved to the (renamed) “Series and work relationships” section.)
  • Sorting works within series is accomplished by dragging and dropping, or by giving the series a default sort, such as by publication or title.
  • Adding labels like “book one” can be done directly, not as part of a larger formula.

Series can now include “groups.” Every series has a “core” grouping, but can also include sections for omnibus editions, short stories, or anything else that—while useful—might be worthwhile to separate out. You can see this on the Lord of the Rings page.

The more sophisticated structure allows for other innovations:

  • A single series can serve across all of LibraryThing’s languages, with different names in different languages.(2)
  • Series can be combined and, in combining, the editor can choose which elements to bring over from one series to another.
  • Series can now be “related” to each other, much as works can be related to works. For example, the Harry Potter Movies can be listed as an adaptation of the famous novels.
  • Every series-related action is separately tracked for examination by members and staff—much like Common Knowledge but with all the extra detail available once single strings were abandoned.

“New Series” has also advanced LibraryThing’s “LT2” redesign project. In making the new pages, Chris Holland essentially worked out LT2 code and concepts, and applied them to a single page on “LT1.” He has learned a lot about how to recast LibraryThing pages without breaking everything.

Finally, series can now be touchstoned, just like authors and works! As works use single brackets, like [War and Peace], and authors use double-brackets, like [[J. K. Rowling]], series use three brackets like [[[Twilight Saga]]].

Future Plans

The near future will see:

  • Members able to follow a series, and see and receive updates when new books are released in that series.
  • “Publisher series” transformed by allowing these work-based lists to be narrowed down to the publishers and editions that pertain to them.

Can You Help?

Series needs your help! Old data needs cleaning up, and all sorts of new data needs adding.

  • We need your help finding bugs and improving existing features so they are maximally intuitive and useful.
  • We need help establishing best practices and norms for the new possibilities. For example, now that we have true series “relationships,” I favor removing adaptations from series and making them and their own series.
  • The biggest data problem is a surfeit of non-English variants. The Common Knowledge structure hid them, but members using LibraryThings other language sites, like LibraryThing.fr (French) and cat.LibraryThing.com (Catalan), created an enormous number of series too—most of them the same as the English series. They need to be combined. For example, before I combined them, the Twilight Saga also existed as “Houkutus” (Finnish), “Saga ‘Zmierzch'” (Polish), and “Crepúsculo” (Spanish).
  • The second biggest task is reviewing the “groups” within series. Omnibus editions and selections have been automatically assigned to a separate group with 95% accuracy, but other groupings have not been attempted.
  • There is a “Needs Help” / “Looks Good” control within the Edit dropdown menu. You can use this to flag the series as needing help or give approval that the series is currently in good shape.

Check It Out

Here are some links to check out!

Here are some links of interest to people who want to dig deeper:


Footnotes:

1. For more on Common Knowledge see our 2007 blog post.

2. Separate series should only be maintained if there is a difference between the series so great that combining them would mislead. This is one of those things we’ll have to hash out as a community.

Labels: common knowledge, new features, series

Wednesday, March 18th, 2020

LibraryThing Is Now Free to All

LibraryThingNowFreetoAll

Starting today, LibraryThing is free to all! We’re dropping all membership fees and limits.

Since opening in 2005, LibraryThing has charged a fee to catalog more than 200 books—$10 per year, or $25 for a lifetime. We felt it was important to have customers, not an “audience” we sell to advertisers. So we focused on attracting customers who paid us by choice—and kept us alive.

Meanwhile, we created a series of products for public and academic libraries. These include Syndetics Unbound, co-developed with ProQuest, which enhances thousands of libraries around the world. We also made TinyCat, our library catalog for very small libraries. Both of these draw in various ways from LibraryThing infrastructure, software and data, but, in time these have become our primary source of revenue. That gives us the opportunity to make LibraryThing itself entirely free, so nobody has to avoid using LibraryThing because of the cost, or drop a membership for financial reasons.

Our plan was to go free when we rolled out “LT2,” our upcoming redesign. But the coronavirus has changed our plans, along with everyone else’s. A lot of people are now stranded at home, with nothing to do but read and catalog their books, movies, and music. A lot of kids are at home too—free cataloging help. And with the economy in freefall, many are worried about money. We want everyone to be able to use LibraryThing. This is the right time to go free.

So, starting today, LibraryThing.com, both on the web and using our cataloging app, are free to all, to add as many books as you want. And, no, we’re not going to add ads. (We will keep showing a few Google ads to visitors, but they vanish as soon as you become a member.)

Thank you to everyone who paid for a membership before. You kept us alive when we needed it. We’ll always be grateful for that.

Tim Spalding
LibraryThing Founder and President

Come talk about it on Talk: https://www.librarything.com/topic/317841

Some links:

Labels: LibraryThing

Monday, November 19th, 2018

SantaThing for Litsy Members

SANTATHING_2018-Litsy

Every year LibraryThing members participate in “SantaThing,” our Secret Santa for book lovers.

This year we’re inviting Littens to join in!

The idea is simple: You sign up and pay $15–50 and choose your favorite bookstore. We match you with someone to pick books for, and someone else will pick books for you. We try to match people with similar reading tastes, and members help each other out with suggestions. LibraryThing staff does all the ordering and everyone gets surprise books for the holidays!

LibraryThing/Litsy takes no cut: this is a community project, not a money-maker. And it’s a lot of fun.

The first 20 Littens to sign up for SantaThing will get a free Litsy mug!(1) Mugs will be coming to the LibraryThing store soon. But you’ll get them first of anyone.

To participate:

Wait, what? Link your account? Yes. You can now link a Litsy and LibraryThing account. At present, it does almost nothing but enable SantaThing and give you a web page that summarizes some of your Litsy reading. It will do more soon!

Questions about SantaThing? You might find this post about SantaThing helpful.

Hoping to see you in SantaThing this year,
Tim, Loranne and the Litsy/LibraryThing Team


1. We’re defining Litsy members as members who posted to Litsy at least once in the last 14 days—this to favor regular Litsy members, not LibraryThing members who signed up for Litsy once upon a time. If there aren’t enough of these, we’ll open it to any Litsy member.

Labels: events, fun, holiday, Litsy, santathing

Monday, March 19th, 2018

LibraryThing and Litsy Q&A

litsy_screen_fullAs we wrote in the last blog post, LibraryThing has acquired the mobile platform Litsy. Here is a sort of Q&A about Litsy, and how Litsy and LibraryThing can help each other. Other resources:

Q: What is Litsy?

Litsy is both like and unlike LibraryThing. First, everything happens within a smartphone app—there’s no website. Second, although Litsy members can “catalog” their books in a simple (works-only) way, the main activity is sharing posts with words and photos of books you’re reading, of passages you find interesting, or even where you’re reading a book. (Posts are marked “review”, “blurb”, or “quote.”) Litsy has friends, comments, hashtags and so forth, but lacks a central “Groups” or “Talk” like on LibraryThing.

Here’s some past press coverage of Litsy.

Q: How can I try it out?

The Litsy app is available for iOS (iPhone, iPad) and Android systems. Check it out at http://litsy.com.

Q: Why did LibraryThing acquire Litsy?

Litsy is an amazing community, similar to LibraryThing in its passion for books, but different in its feel, focus, technology, and demographic. We admired what Jeff and Todd had built so when Jeff approached us recently, we jumped at the opportunity. Litsy is a cool thing, and we think it has a great future ahead of it.

Q: How big a deal is this for LibraryThing?

The terms of the deal are not disclosed, but we can tell you it did not involve company-limiting amounts of money.

To be frank, we see no major changes for the LibraryThing site or community, at least in the near- or medium-term. We may offer syncing or single sign-ons between services. And we will definitely be leveraging LibraryThing’s superior book data within Litsy. We also see a lot of potential in getting Litsy members into LibraryThing’s Early Reviewers program and attracting more publisher interest with the larger community this offers. But we aren’t going to try to combine the services or communities. If you choose not to join Litsy, you won’t likely see or read much about it on LT.

Q: How much membership overlap is there?

Very little. They are different communities that have spread in different ways. We hope to drive some cross-service exploration, but LibraryThing and Litsy are different places.

This difference is a strength. LibraryThing is now working across the book-loving spectrum. It gives us greater profile in the book world, and helps us to serve all kinds of passionate readers.

Q: What can LibraryThing offer Litsy, and visa versa?

In the press release, we speculated about some ways that LibraryThing can help Litsy. They include:

  • Better book data.
  • Syncing between the services.
  • Moving LibraryThing’s excellent barcode scanning into the Litsy app.
  • Get more libraries involved in Litsy.
  • Bringing Litsy members into LibraryThing’s Early Reviewers program.

Litsy can help LibraryThing in similar ways. The Litsy apps have some nice features we’re liable to steal for LibraryThing. And we hope that if we provide syncing between services, some Litsy members will also become LibraryThing members.

Come to Talk to discuss other ways of making Litsy useful to LibraryThing.

Q: What’s this about Early Reviewers?

The idea of bringing Litsy members into Early Reviewers may stir some concerns. If more people can get books, won’t there be fewer books?

We don’t think so. Publishers love Early Reviewers for its unique picking system, which connects their books to readers likely to actually enjoy their book. And they love that we’re free for publishers, whereas our larger competitor now charges publishers.

But we remain small, and our membership demographics don’t fit every publisher’s offerings. Adding Litsy will increase Early Reviewer’s reach, with notices going out to another, substantial set of passionate readers who buy a lot of books. And Litsy members have a somewhat different demographic profile than LibraryThing members, which should draw some new publishers.

Q: How does Litsy fit into LibraryThing’s business model? (short)

Litsy is cheap to run. We’re happy to be its new owners. And we’re in for the long haul.

Q: How does Litsy fit into LibraryThing’s business model? (long)

The usual pattern for social companies is to “get big fast or die.” You get funded. You spend all your money quickly to get as many users as you can. Then you sell yourself to a larger company who want your community size. In reality, however, the most common path is that the company flames out and dies, everyone loses their data, the community is blown apart, and the founders move onto the next idea.

LibraryThing never followed that approach. From the start, we conserved our resources, and made money by charging members small fees. We didn’t look for a buyout from Amazon or Google. Eventually we found another path to making money—turning some of LibraryThing’s technology and data toward making libraries better. We earn every dollar we make, and we don’t annoy or exploit members to do it.

As things stand, Litsy is large enough to matter to a lot of people, but it’s too small to be significantly “monetized.” Fortunately, it’s also cheap to run—even cheaper now that Litsy can live within the existing LibraryThing infrastructure.

After twelve years of making LibraryThing work, we believe the race is long, and good things with great communities will find their business. We plan to take the same approach with Litsy.

Q: What else?

Come talk about Litsy on Talk. We also started a group, Onward Litsy! for Litsy members to talk to each other and LibraryThing staff, on Facebook. (We started it on Facebook, as a neutral place.) You are more than welcome to join, but we hope to get the Litsy people talking. LibraryThing’s been doing big, burly staff-community conversations for years; it’s a new thing for Litsy.

Labels: LibraryThing, Litsy

Monday, March 19th, 2018

Litsy Newsletter: Big news

Note: This went out today in the Litsy newsletter. Litsy doesn’t have a blog, so we thought we’d also post it here, for Littens to share.

We have big news! LibraryThing, the team behind the long-running social cataloging and book discussion site LibraryThing.com, has acquired Litsy.

litsyandlibrarything

The Short Version

Don’t panic. Litsy is not going away or getting folded into another site. On the contrary, we at LibraryThing will be working hard to support and grow Litsy in new ways!

We have some immediate plans in mind, starting with better book data from LibraryThing and LibraryThing’s partner, Bowker. But most of all we want to know what YOU want.

We’ve set up a Facebook Group “Onward Litsy!” to begin a two-way conversation with Litsy members. Please join the discussion here.

Thank you for reading this; we can’t wait to get to know you better. Thank you to Jeff and Todd for creating such a great service, and trusting us to keep it safe and build it up! Please be sure to check out their note below.

The Long Version

LibraryThing is the new owner and manager of the Litsy app and service. We took over from Jeff and Todd, the founders of Out of Print Clothing, a few weeks ago. (Read their note, below.) We’ve been working on moving the technical side to LibraryThing services, and are now turning our attention to the Litsy community, and how we can bring Litsy to the next level.

If you’ve never heard of LibraryThing, we’re both like and unlike Litsy. Like Litsy, LibraryThing is a unique, passionate, and often tight-knit community of book lovers. LibraryThing and Litsy are each others’ kind of people.

LibraryThing was started in 2005 by Tim Spalding (Litsy: TimSpalding) as a pet project to catalog his own library and for bibliophile friends. Since then we’ve racked up 2.2 million users, who’ve cataloged over 123 million books. Although members have created 11,000 groups, and started over 200,000 discussions, LibraryThing is relatively focused on cataloging—on recording everything you own or read. While we have an app for searching for and scanning books into your library, all our social engagement happens on the website.

Tim is new to Litsy, but others of us aren’t. One of our library team, Kirsten (kgriffith, formerly glitterfemme), has been on Litsy since just after its launch, contributing early user experience feedback and feature testing in addition to being active on the platform ever since. Our social media expert Loranne (lorannen) followed soon after. Both have been critical in bringing Litsy into the LibraryThing world.

We want you to know that we love Litsy and have no plans to make drastic changes. Litsy is here to stay, and we’re here to make it even better for you.

We still have a lot of technical work to get up to speed and bring Litsy onto LibraryThing servers. But here are some of the ideas we’ve had to bring Litsy to the next level:

  • Give Litsy better book data, from LibraryThing itself and from its data partner, Bowker.
  • Provide an easy way to link accounts and sync between the two services.
  • LibraryThing works with thousands of libraries. Get more of them involved in Litsy.
  • Add barcode scanning to the Litsy app, so you don’t need to do as much searching.
  • Bring Litsy members into LibraryThing’s Early Reviewers program, which offers free pre-release books to interested readers. We think a larger and more diverse community will draw more publishers, and more books.

What do you think? Do you have any questions? We want to get to know you better, and for you to get to know us. We want to hear what you love about Litsy, and talk through ideas about how to make it better. To that end, we’ve started a Facebook group to open dialogue between the LibraryThing team and Littens everywhere.

» Onward Litsy!

If you don’t do Facebook, you can find us on Twitter at @getlitsy and @LibraryThing. Or just email us at litsy@librarything.com.

Thank you for your time! Thank you too to Jeff and Todd for building such a great service, and trusting us with it now. They deserve a standing ovation for everything they’ve done. Please be sure to check out their note, below.

Thanks!
Tim and the LibraryThing Team

A Note from Jeff and Todd

Fellow Littens,

From day one, we wanted Litsy to be a place where readers could share their love of books and expand their TBR lists. Over 14 million app visits later, we’re simply blown away by the awesomeness of the Litsy community!

Working with LibraryThing is the next natural step in fulfilling our original mission. With their vast experience in books and tech, we can’t wait to see where they take Litsy next. As for us, we will continue leading the charge at Out of Print, which is now a subsidiary of Penguin Random House.

Thanks for helping to make Litsy so special. We will miss working with you all, but we’re just a Litsy @mention away! 🙂

Cheers,
Todd and Jeff

Labels: LibraryThing, Litsy

Monday, March 19th, 2018

LibraryThing Acquires Litsy

duallogoLibraryThing has acquired the mobile platform Litsy! What’s Litsy? Here’s some past press coverage:

Here’s a press release we wrote up about it. When you’ve read it, check out:

Press Release: LibraryThing Acquires Litsy

LibraryThing, creator of the social site LibraryThing.com and a leading provider of software for libraries, has acquired the mobile app Litsy.

Litsy, “where books make friends,” is a mobile platform known for being “Instagram for booklovers.” Litsy was launched in early 2016 by Jeff LeBlanc and Todd Lawton. The two had previously founded the book-themed clothing company Out of Print Clothing, acquired by Penguin Random House in June 2017.

“LibraryThing and Litsy are very different platforms,” said Tim Spalding, Founder of LibraryThing. “But they share a love of reading, and a respect for the passionate, unusual communities that animate them.”

“LibraryThing is the perfect home for Litsy,” said LeBlanc and Lawton. “Their technology and expertise delighting readers will help take Litsy to the next level.”

Litsy’s unique approach to social media has inspired its users to create discussion threads, community read-alongs, and book-sharing groups. Users accumulate “Litfluence,” an indication of others’ engagement with their posts, and celebrate milestones with hashtags and giveaways. Having a book profile linked to each post makes it simple for users to discover and to “stack” books they would like to read or have read in the past, which is all added to their profile.

LibraryThing’s initial plans are modest. “Our first duty is to keep what’s great about both Litsy and LibraryThing, and build from there. We aren’t going to do anything drastic, like combine them into one service,” Spalding said. “Most of all, we want to listen to Litsy members, and take it from there.”

As part of the acquisition, LibraryThing is inaugurating a two-way conversation with the Litsy community (“Littens”). A Facebook group has been set up for this, “Onward Litsy!” All Litsy members, and curious LibraryThing members, are invited to participate.

Spalding indicates that LibraryThing staff is currently focused on moving the service to take advantage of LibraryThing’s more extensive technical infrastructure. They plan to upgrade Litsy’s book data using information from LibraryThing itself, and from its library- and data-partner, Bowker/ProQuest. LibraryThing will be encouraging libraries to get involved with Litsy too.

Publishers will see one planned change, as LibraryThing intends to offer Litsy members access to LibraryThing’s Early Reviewer program. Early Reviewers helps publishers connect with readers and create buzz for new titles by providing pre-release books in exchange for an honest review.

More details on the LibraryThing blog: https://blog.librarything.com/2018/03/librarything-acquires-litsy/
Q&A on the LibraryThing blog: https://blog.librarything.com/2018/03/litsyquesti/
“Onward Litsy” Facebook Group: https://www.facebook.com/groups/OnwardLitsy/

Media inquiries:
Loranne Nasir
loranne@librarything.com

About LibraryThing
LibraryThing is a leader in social networking for readers and in software for libraries. LibraryThing.com counts over 2.2 million members who have cataloged 123 million books. LibraryThing’s library software, including Syndetics Unbound, co-developed with ProQuest, is used by thousands of libraries around the world. Learn more at LibraryThing.com and proquest.syndetics.com.

Labels: LibraryThing, Litsy

Monday, March 12th, 2018

Introducing the LibraryThing Alexa Skill

Introducing the LibraryThing Skill for the Amazon Echo, Dot and other Alexa devices. Take a look:

The LibraryThing Alexa Skill is a weird but easy way to add books to your LibraryThing account. Just stand in the foyer, with a bag of new books, or on top of a rickety bookshelf ladder in the attic, and say:

Alexa, tell LibraryThing to add [Book Title] by [author]

And Alexa will add the book. Or it will try to. It’s not perfect.

To get a higher success rate, skip the title and author and just read the barcode, or ISBN number, off the back of your book:

Alexa, tell LibraryThing to add [Barcode or ISBN number]

There are a few other commands. Try:

Alexa, ask LibraryThing how many books I have.

To dazzle your friends with your intelligent personal assistant and your impressive library.

What Else?

Have fun!


Credits:

  • The Alexa app was coded up by Chris Holland (@conceptdawg), who did a bang-up job, with an immature programming environment.
  • Thanks to Abby and Puck (pictured) for the video.

Labels: app, new features