Monday, February 14th, 2022

Come Join the 2022 Valentine Hunt!

It’s February 14th, and that means the return of our annual Valentine Hunt!

We’ve scattered a collection of Cupid’s arrows around the site, and it’s up to you to try and find them all.

  • Decipher the clues and visit the corresponding LibraryThing pages to find an arrow. Each clue points to a specific page right here on LibraryThing. Remember, they are not necessarily work pages!
  • If there’s an arrow on a page, you’ll see a banner at the top of the page.
  • You have just over two weeks to find all the arrows (until 5:00pm EST, Monday February 28th).
  • Come brag about your collection of arrows (and get hints) on Talk.

Win prizes:

  • Any member who finds at least two arrows will be
    awarded an arrow badge Badge ().
  • Members who find all 17 arrows will be entered into a drawing for one of five LibraryThing (or TinyCat) coaster sets and stickers. We’ll announce winners at the end of the hunt.

P.S. Thanks to conceptDawg for the cardinal illustration!

Labels: events

Monday, February 7th, 2022

February 2022 Early Reviewers Batch Is Live!

Win free books from the February 2022 batch of Early Reviewer titles! We’ve got 164 books this month, and a grand total of 3,893 copies to give out. Which books are you hoping to snag this month? Come tell us on Talk.

If you haven’t already, sign up for Early Reviewers. If you’ve already signed up, please check your mailing/email address and make sure they’re correct.

» Request books here!

The deadline to request a copy is Monday, February 28th at 6PM EST.

Eligibility: Publishers do things country-by-country. This month we have publishers who can send books to the UK, the US, Canada, Germany, Australia, Netherlands, New Zealand, France, Italy, Spain and more. Make sure to check the message on each book to see if it can be sent to your country.

How Creativity Rules the WorldChevy in the Hole: A NovelSugar and Salt: A NovelAll That Fills UsThe Sweet LifeUncommon Measure: A Journey Through Music, Performance, and the Science of TimeAll Men Glad and Wise: A MysteryWith or Without Me: A Memoir of Losing and FindingRoar of the Sea: Treachery, Obsession, and Alaska's Most Valuable WildlifeJunk Science and the American Criminal Justice SystemThe PartitionThe Hospice Singer: A NovelWhen the Meadow BloomsFatal CodeRise: Extraordinary Women of Colour Who Changed the WorldMeasuring the World: Philosophy with a RulerThis Could Be YouThe Honeybee EmeraldsEnchanting Sarah GreenbergBefore the Time MachineHindsightFolly Took a Seat and Laughed in Our FacesThe Seren StoneOne Thousand Good AnswersMurder at Old St. Thomas'sSouth Sea FeverMade ManA Judge's Odyssey: From Vermont to Russia, Kazakhstan & Georgia, Then on to War Crimes & Organ Trafficking in KosovoBlack Lion: Alive in the WildernessLove and Genetics: A True Story of Adoption, Surrogacy, and the Meaning of FamilyLacie's Secrets: A NovelIn Light of Recent EventsI Am My Beloveds: A NovelThe Love and Longing of a Medical ManUntetheredThe NocturnalsChambers of the Heart: Stories of MovementIncarnationFor the MurderThe next stop is...Home or JailThunderstruckCaptive WildernessRevenantThe Tale of Was and DasFollowersOnly on Rainy DaysLife Skills 101: All You Need, But Won’t Learn in SchoolWhat SurvivesDaire's DevilsAndromonoSearching For The Sparkle: A School’s Journey Of RecoveryWhite NightsThe CordMagical Me: Life Hacks for Happy and Calm KidsDrowning DaysThe Ultimate Football Super-Fan Trivia Book: 700 Questions to Put Die-Hard Fans to the TestUnboxing RaymondVital Signals: Virtual Futures, Near-Future FictionsCollected PoemsPaper TalksFudge!: Easy Microwave Fudge RecipesMy Dad Is a Russian SpyDiscovering PuracordisMister NAll Lies Begin With TruthFinding You: Mental Wellness ExploredThe BerserkersShades Of JoyDo You Want to Try? Yoga for KidsOrganizational Behavior Essentials You Always Wanted to KnowCore Java Interview Questions You'll Most Likely Be AskedWinning Strategies for ACT Essay Writing: With 15 Sample PromptsGMAT Analytical Writing: Solutions to the Real Argument TopicsGRE Reading Comprehension: Detailed Solutions to 325 QuestionsGRE Analytical Writing: Solutions to the Real Essay Topics - Book 1GRE Analytical Writing: Solutions to the Real Essay Topics - Book 2GRE Analytical Writing Supreme: Solutions to the Real Essay TopicsGRE Verbal Reasoning Supreme: Study Guide with Practice QuestionsGRE Master Wordlist: 1535 Words for Verbal MasteryGRE Text Completion and Sentence Equivalence Practice QuestionsGRE Words in Context: The Complete ListProject Management Essentials You Always Wanted to KnowAn Impossible Wife: Why He Stayed: A True Story of Love, Marriage, and Mental IllnessWilma Mankiller: How One Woman United the Cherokee Nation and Helped Change the Social Fabric of AmericaDestinyI Bet a Dragon CouldFord 429/460 Engines: How to Build Max-PerformanceShirley Shahan: The Drag-On LadyGM 6L80 Transmissions: How to Rebuild and ModifySales Management Essentials You Always Wanted to KnowThe New NegroPaul Laurence Dunbar: Poet Laureate of the Negro RaceThe House from Hell: The True Story of Gertrude Baniszewsk One of America’s Most Notorious Torture MomMy Dad, My RockJust Like MagicGoodbye, Colors!And Never Walk AwayShort, Vigorous Roots: A Contemporary Flash Fiction Collection of Migrant VoicesCourt of VenomFrom Knowledge to Power: The Comprehensive Handbook for Climate Science and AdvocacyLove, Dance and Egg RollsWhere We Call Home: Essays from the Lands, Seas, and Skies of the Pacific NorthwestPolitikillMineStronger Than HopeRestrained DesiresThe Unforgiving MinuteNebulous EnemiesTrusted to Thrive: How Leaders Create Connected and Accountable TeamsTen Thousand I Love YousThe Adventure of the Purloined PortraitBeyond the Pale: A Fable about Escaping the Hustle and Finding YourselfSeason of HopeSecrets of a River Swimmer: A NovelA Closet Feminist3000 Writing & Plot Prompts A-C: Supercharge Your Creativity & Remove Writer’s Block Forever!A Prisoner to SpringThe Seraph EngineMetapolitical: Practicing Our Human FutureZanzibar's RingsShadows of Secrets and LiesYay for Big Brothers!A Game of TraitorsCaptives and PrisonersThe Ter'roc EvolutionSleep DeprivedThe ExilesWrath of Eve: Evil Has Met Its MatchThe Four RevenantsThe Best Sermons You've Never Heard: For All People: Volume 1JourneysThe Amber RevenantWords of LoveSweet As MurderSomething Shady at Sunshine HavenFalcon FireRocking Change: Changing the World through Changing OurselvesOmniscienceIn the Shadow of HeliosWaterman's ForeignerThe Seven Hungers: Rise of the Crimson KingA Flame of SongHelp Me Find My VoiceLife Before DeathYou Can't Prevent ProphecyThreadsAll My NeversHear God's Voice Clearly: 4 Easy Steps to Silence the Enemy So You Can Hear God's Voice All the TimeWhereabouts UnknownMontserratLydia Rose and The Annals of VeenaZombies, Bring It On and Other StoriesThe Clockwork SolutionThe Woke IliadTalking Spirit: Essays and InspirationsThose of Us About to DieThe Sweet By and ByMirror, Little Mirror, Who Are You?Moonguide Garden CottageNeuroanatomy Human Brain Coloring BookOdenGetting Started As A Small Scale Landlord: Taking Your First Steps to Becoming a Landlord by Investing in Single-Family Homes, Duplexes, Triplex, and FourplexesThe BowtowTitle: Storybook

Thanks to all the publishers participating this month!

AGM Publications Akashic Books Alaska Northwest Books
And Other Stories Arbordale Publishing Beaufort Books
Bellevue Literary Press BHC Press Black Rose Writing
Cardinal Rule Press CarTech Books City Owl Press
Crystal Lake Publishing Entrada Publishing eSpec Books
Eternal Tree Books LLC Fontreal The Gap Press
Grousable Books HarperCollins Leadership Hawkwood Books
Henry Holt and Company Hot Tree Publishing Icon Books
Ivigreen Jumble Books and Publishers Katherine & Rebecca Lewis
Linguacious Little Red Tree Publishing NewCon Press
Ooligan Press Plant Based Press Plough Publishing House
Poise and Pen Publishing PublishNation Real Nice Books
Revell Rootstock Publishing Saqi Books
Sea Vision Publishing, LLC The Story Plant Sunday Mornings at the River
True Crime Seven Turner Publishing Unsolicited Press
Vestige Vibrant Publishers West Margin Press
William Morrow

Labels: early reviewers, LTER

Thursday, January 27th, 2022

TinyCat’s January Library of the Month: The Concentrating Solar Power Digital Library Archive

To read more about TinyCat’s Library of the Month feature, visit the TinyCat Post archive here.

January’s TinyCat Library of the Month goes to the Concentrating Solar Power (CSP) Digital Library Archive! Technical Librarian Shannon O’Grady from Sandia National Laboratories was kind enough to field my questions this month:

Who are you, and what is your mission—your “raison d’être”?

The Concentrating Solar Power (CSP) Digital Library Archive is a technical reference database of historical CSP documents accessible to domestic and global partners with the purpose of promoting collaboration and information sharing.

It is the only public collection in the world that chronicles the history and growth of the CSP industry through recently digitized documents, beginning with its inception at Sandia National Laboratories in the 1970’s. Until recently, this history was inaccessible to global collaborators. Hardcopy documents were difficult to share and no central repository existed to catalogue and access digital copies. Since the documents had no way to be discovered, knowledge of their existence and substance was limited to those who were aware of these collections, minimizing the opportunity for external collaborators to benefit from their technical contents. Consequently, researchers stood to inadvertently replicate studies instead of building on them.

The Archive contains:

  • coverage of research topics such as CSP technologies
  • modeling of CSP Plant
  • CSP engineered products
  • heliostat designs
  • heliostat operational systems, and much more.

Tell us some interesting things about how your library supports the community.

Our Library supports anyone around the world interested in solar research. Sandia solar researchers and librarians have spent the past few years collecting, digitizing and cataloging a host of reports, memos, blueprints, photos and more on concentrating solar power, a kind of renewable energy produced by using large mirrors to reflect and concentrate sunlight onto a receiver on a tower to generate electricity. These historical research documents are now in a publicly accessible digital archive for other concentrating solar power researchers, historians, corporations and average citizens to view.

What are some of your favorite items in your collection?

There are so many unique reports in the catalog, it would be hard to pick one! We recently received this feedback from a user,

“When searching for ‘sunshape’ I actually found a document that is older than myself and acknowledges someone who worked in my office for decades. Time seems to go in cycles!”

It’s very satisfying to provide information that previously was not discoverable!

What’s a particular challenge your library experiences?

The challenge for our library is the process of adding to the archive. We continue to accumulate paper copies of reports, provide all with metadata and an abstract in MARC format, and then digitize.  It’s a time consuming process but well worth it.

What is your favorite thing about TinyCat, and what’s something you’d love to see implemented/developed?

Our favorite things are the easy-to-use interface and the flexibility of modifying it. We have made several updates to the Home page and have revised the record detailed view to best display report metadata. 

What we’d really love to see implemented is more of a LibraryThing upgrade but has an aspect of TinyCat: it would be really great if there was a way to update information in the originally loaded MARC record that displays as MARC view in TinyCat.

Great feedback, thanks! We’ll take that into consideration.

Want to learn more about the CSP Digital Library Archive? Explore their TinyCat collection here.


To read up on TinyCat’s previous Libraries of the Month, visit the TinyCat Post archive here.

Want to be considered for TinyCat’s Library of the Month? Send us a Tweet @TinyCat_lib or email Kristi at kristi@librarything.com.

Labels: libraries, Library of the Month, TinyCat

Monday, January 3rd, 2022

January 2022 Early Reviewers Batch Is Live!

The January 2022 batch of Early Reviewer books is up! We’ve got 56 books this month, and a grand total of 1,912 copies to give out.

First, make sure to sign up for Early Reviewers. If you’ve already signed up, please check your mailing address and make sure it’s correct.

Then request away! The list of available books is here:
http://www.librarything.com/er/list

The deadline to request a copy is Monday, January 31st at 6PM EST.

Eligiblity: Publishers do things country-by-country. This month we have publishers who can send books to the US, Canada, the UK, Israel, Australia, France, Germany, and many more. Make sure to check the flags by each book to see if it can be sent to your country.

Thanks to all the publishers participating this month!

Akashic Books Jumble Books and Publishers Creative Projects International Inc.
Black Rose Writing HENDRY PUBLISHING LTD Pumpjack Press
Niv Publishing JMFdeA Press Revell
City Owl Press BHC Press Three Rooms Press
Vibrant Publishers CarTech Books Meerkat Press
Bellevue Literary Press Ooligan Press

Labels: early reviewers, LTER

Wednesday, December 22nd, 2021

TinyCat’s December Library of the Month: Slighe nan Gàidheal

To read more about TinyCat’s Library of the Month feature, visit the TinyCat Post archive here.

TinyCat’s December Library of the Month is for the linguists and Gaelic fans in the crowd. Thanks to Slighe nan Gàidheal and Library Committee Chair Brian Newell for answering my questions this month:

Who are you, and what is your mission—your “raison d’être”?

The library is part of Slighe nan Gàidheal (SnG) or, “Way of the Gaels” in Scottish Gaelic—a non-profit organization based in Seattle, Washington. Since 1997, we have built a dynamic and active membership base and grown into a lively, welcoming community of language-learners, musicians, singers, dancers, historians, artists, storytellers, and Celtic scholars.

The library’s mission is to support SnG’s teaching and dissemination of Scottish Gaelic language in its contemporary and historical context, supporting classes, performances, and individual study by its members.

Objectives include providing:

  • support to learners enrolled in our Zero-to-Gaelic (Z2G) language-instruction program, in cooperation with the Gaelic Education Committee and with the presenters in the Z2G program
  • support to presenters in the Z2G program
  • support for Gaelic-language instruction at SnG’s biennial Féisean (Gaelic cultural festivals) and other activities
  • support to members of SnG who are engaged in independent study of Gaelic
  • management and development of SnG’s collections of Gaelic-language learning materials (dictionaries, grammars, self-teaching texts, etc.), literature in Gaelic, library materials about the Gaelic language, and related topics.

Tell us some interesting things about how your library supports the community.

The library has over 500 items which gives our members access to a wide variety of material for their Scottish Gaelic language studies or other cultural interests. We also have an extensive number of novels, short story collections, song and poetry collections, and non-fictional works. Some of these titles are written only in Scottish Gaelic, but many are dual-language or English only, giving our members plenty to choose from to borrow or to preview before purchasing a copy for their own use.

What are some of your favorite items in your collection?

What makes Slighe nan Gàidheal so enjoyable is the diversity of its members, their many different goals for learning the Scottish Gaelic language, and the varied depth of knowledge. With such a diverse group comes so many favorites. A few of the Library Committee’s favorite items are:

  • The children’s book A’ Chaparaid (The Tumult) by Phyllis Root.
  • The Silver Bough Series: An indispensable, 4-volume treasury of Scottish folklore and folk belief. The Silver Bough involved many years of research into both living and recorded folklore and remains a classic of literature.
  • Asterix ann an dùthaich nan Cruithneach (Asterix in the land of the Picts) by Jean-Yves Ferri: A Scottish Gaelic graphic novel built upon the famous French-language franchise. This satire is for advanced students looking for contemporary banter to spice up their conversations and who enjoy searching for puns on every page.
  • Cleas Sgàthain by Màiri Anna NicDhòmhnaill: An identical-twin-exchange humorous novel.
  • The Spàgan series by Ellen Blance: This series of illustrated short stories are an enjoyable way for Scottish Gaelic learners to improve their grammar and reading skills.

What’s a particular challenge your library experiences?

Since we don’t have a physical “home” for SnG, all functions are held in rented facilities. Our library materials are held in a storage locker and items are retrieved and returned on an ad hoc basis. This makes it difficult for our members to browse the entire library and discover items that support their interests. We encouraged circulation and promoted the library’s TinyCat catalog during in-person events and in our newsletter—but it’s not the same as looking through the physical items. These COVID times have made promotions a greater challenge as our language classes and other meetings are now virtual.

What is your favorite thing about TinyCat, and what’s something you’d love to see implemented/developed?

Using TinyCat is a huge step forward for our members’ access to the library. Using LibraryThing and Readerware are good tools for our library management but are not as useful to most of our members. TinyCat provides us with an easy-to-use interface for searching and browsing the library, a tool for members to reserve items, and a way for us to manage checked-out items. 

One area becoming more common is receiving library material as digital media. We have audio files and videos in our collection and would like to have the ability for our members to “check them out” and listen to or watch them directly from TinyCat.

This is definitely something our libraries are coming across more often. While we don’t have any current plans to host library materials, we’ll be sure to announce any changes on this front. Thanks for the feedback!

Want to learn more about Slighe nan Gàidheal? Visit their website here and find their full TinyCat collection here.


To read up on TinyCat’s previous Libraries of the Month, visit the TinyCat Post archive here.

Want to be considered for TinyCat’s Library of the Month? Send us a Tweet @TinyCat_lib or email Kristi at kristi@librarything.com.

Labels: libraries, Library of the Month, TinyCat

Monday, December 6th, 2021

December 2021 Early Reviewers Batch is Live!

Win free books from the December 2021 batch of Early Reviewer titles! We’ve got 95 books this month, and a grand total of 3,282 copies to give out. Which books are you hoping to snag this month? Come tell us on Talk.

If you haven’t already, sign up for Early Reviewers. If you’ve already signed up, please check your mailing/email address and make sure they’re correct.

» Request books here!

The deadline to request a copy is Monday, December 27th at 6PM Eastern.

Eligiblity: Publishers do things country-by-country. This month we have publishers who can send books to the US, Canada, the UK, Israel, Australia, France, Germany, and many more. Make sure to check the flags by each book to see if it can be sent to your country.

Thanks to all the publishers participating this month!

Unsolicited Press Akashic Books New Wind Publishing
Black Rose Writing West Margin Press Thinklings Books
TouchPoint Press Transformation Media Books Literary Wanderlust LLC
Rootstock Publishing Winter Publishing House Sunday Mornings at the River
Candlewick Press John Ott TouchPoint Romance
TouchPoint Faith City Owl Press Marble City Publishing
Jumble Books and Publishers Isabella Media Inc Time Lost Books, LLC
Revell CarTech Books Henry Holt and Company
Scribe Publications Alcove Press Bellevue Literary Press
Vibrant Publishers NewCon Press Cozy Corner Press
Ooligan Press BookViewCafe BHC Press
Wise Media Group

Labels: early reviewers, LTER

Monday, December 6th, 2021

LibraryThing Needs a Great Library Developer

LibraryThing is looking for a great developer to work on our library projects.

Win $1,000 in Books!

If you find us one—or you find yourself—you get $1,000 in books from the independent bookstore of your choice!

The Job

This job is focused on what LibraryThing does for libraries. These include Syndetics Unbound, co-developed with ProQuest, and TinyCat. You will also be involved in parsing library data for LibraryThing.com and other company projects, as needed.

Depending on interest and experience, you may also be involved in machine learning, systems architecture, or mobile programming.

Need to Have

  • PHP. LibraryThing runs on PHP, in mostly non-OO code. We love PHP people, but it’s not rocket science, so other, flexible programmers are welcome to apply.
  • JavaScript. We try to do as much as possible on the back end, but JavaScript is a must.
  • HTML/CSS. This is not a design job, but you should understand both well.

Good to Have

  • Library Degree. An MLS or equivalent degree is a plus.
  • Library Experience. This job is geared to library and library-industry developers. Other programmers are welcome to apply if you are excited about working with library and book-world data.
  • UX/UI Experience. We will use any design, UX, or UI experience you have.
  • Python. We also use Python, both for working with library data and machine-learning.
  • MySQL. Again, not rocket science, but true expertise in MySQL takes time and is valuable.

Non-Technical

  • LibraryThing is an informal, high-energy, small-team environment. Programming is rapid, creative, and unencumbered by process. We put a premium on speed, reliability, communication, and responsibility. If this sounds attractive, we want you.
  • LibraryThing has been proudly remote for 15 years. Working remotely puts a premium on communication skills, discipline, and internal motivation.
  • All LibraryThing employees come up with ideas and solutions to problems on their own. We also develop and refine ideas together. We need your ideas and your criticism as much as your labor.
  • All LibraryThing employees interact with users directly. We believe that “the user is not broken.”
  • Interesting, passionate people make interesting, passionate products and are fun to work with. This is also the rare job for which a masters in Medieval Irish or a side gig as a jazz bassist is a plus. Of course, we all love books, libraries and bookstores.

Location and Compensation ($60–120k)

This is a remote job open to anyone eligible to work in the US. We’d love to employ people outside the US, but the legal hassles are generally too much for us as a small company.

We are looking to work with the right person, not filling a spot with a clearly-delineated set of responsibilities and a predetermined salary. We will consider everything from junior to senior candidates. The salary range reflects that.

LibraryThing offers excellent health and dental insurance. Employees pay no premiums. We require hard work but are unusually flexible about hours and family commitments.

How to Apply

Before you apply, you should make sure you can do the LibraryThing Programming Quiz, which is something like Jeff Atwood’s “Fizz Buzz.” Our interviews include a simple programming quiz not unlike that. If you object to such things, please do not apply.

Send a cover-letter email and PDF resume to info@librarything.com. Your cover letter should go through this job advertisement, responding to it, briefly. 

The Fine Print

LibraryThing is an equal opportunity employer and will not discriminate against any employee or applicant on the basis of religion, race, color, national or ethnic origin, age, sex, disability, sexual orientation, gender identity or expression, pregnancy status, parental status, marital status, veteran status, or any other classification protected by applicable federal, state or local law. Did you read this far? Prove that you did by making your email subject line “Gouda Cheese: [Your name].”

 


“Help LibraryThing…” image uses a CC BY 2.0 photo by Jorge Láscar (source).

Labels: employment, jobs

Sunday, December 5th, 2021

Top Five Books of 2021

 
2021 is almost over, and that means it’s time for LibraryThing staff to share our Top Five Books of the Year. You can see past years’ lists HERE.

We’re always interested in what our members are reading and enjoying, so we invite you to add your favorite books read in 2021 to our December List of the Month, and to join the discussion over in Talk

>> List: Top Five Books of 2021

Note: This is about what you read in 2021, not just books published in 2021.

Without further ado, here are our staff favorites!

 


Abby

The Chosen and the Beautiful by Nghi Vo. This fantastical retelling of The Great Gatsby is amazing. It’s glittering and lyrical and jazzy and as it races towards the inevitable tragic end, it feels like Gatsby should have always been queer and full of magic.

The Liar’s Dictionary by Eley Williams. An utterly unexpected delight of words.

Empire of Pain: The Secret History of the Sackler Dynasty by Patrick Radden Keefe. Reads like an epic fictional family saga, and is, in a word, damning.

Crying in H Mart: A Memoir by Michelle Zauner. This fantastic and intense memoir is an honest and unflinching reflection on grief, identity, family, and food.

A Marvellous Light by Freya Marske. This book is a queer historical magical murder mystery, set in Edwardian London. It is everything.

Tim

When terrible things happen, I crave nothing so much as reading and watching about terrible things. During lockdown last year, I read two books about Chernobyl. I watched Contagion—twice! So this year I read two books about the Coronvirus pandemic, two about pandemics generally, and two about the last days of the Trump administration, covering both the pandemic and the insurrection. I read little fiction this year, which probably wasn’t good for my mental health, but what was this year?

Uncontrolled Spread: Why COVID-19 Crushed Us and How We Can Defeat the Next Pandemic by Scott Gottlieb. Gottlieb was head of the FDA under Trump, and while his account is detailed and convincing, it is sometimes angry and surely not unbiased. (His assessment of the CDC under Redfield is particularly harsh.) Most interesting, however, are his deep dives, such as a chapter on the government’s attempts to solve a crippling shortage of one critical element for COVID testing—nasal swabs. This is a book that assumes you don’t need everything wrapped in a personal story to keep your attention, want it all explained, and will sit for the answer. Honorable mention goes to Apollo’s Arrow: The Profound and Enduring Impact of Coronavirus on the Way We Live by Nicholas A. Christakis.

I Alone Can Fix It: Donald J. Trump’s Catastrophic Final Year by Carol Leonnig and Philip Rucker. I suspect Leonnig and Rucker’s account will become the standard account. Peril by Bob Woodward and Robert Costa was also good, but mostly adding details to Leonnig and Rucker’s. The message of both books is clear: The end of the Trump administration was worse than you think. Got it? No, it was worse than that. Understand now? No, you don’t, because it was worse than that too.

The Third Reich at War by Richard J. Evans. They say men become their fathers, and this book, which was on my father’s bedside book pile for ages, proves it’s happening to me. I was expecting a military history, but the bulk of the account concerns the Holocaust and other Nazi attrocities. It makes for very tough reading, but it deepened my understanding of the regime and of how tyranny and genocide operate, with lessons for today and the future.

Veritas: A Harvard Professor, a Con Man and the Gospel of Jesus’s Wife by Ariel Sabar. I adored Ariel Sabar’s Atlantic article, which thoroughly demolished the Coptic “The Gospel of Jesus’ Wife” as a modern forgery. The book repeats the achievement on a greater scale and uncovers more details of the deception. The book is so good overall that the few mistakes I could catch, and a neglect of non-western (i.e., Orthodox) Christian thinking on priestly celibacy, really rankled me.

You Look Like a Thing and I Love You: How Artificial Intelligence Works and Why It’s Making the World a Weirder Place by Janelle Shane. The only really “light” book on this year’s list, a joyful romp into how modern “AI” goes wonky. (It’s the only AI book you can read to your teenage kid for the jokes.) I read it together with a book on my 2019 list, Rebooting AI: Building Artificial Intelligence We Can Trust by Gary Marcus and Ernest Davis, a more sober (but still sometimes funny) account of how AI fails and (less convincingly) some ways to solve it. As I was on a bit of an AI kick, I read four other books on the topic, including Artificial Unintelligence: How Computers Misunderstand the World by Meredith Broussard, and, in a different vein, Genius Makers: The Mavericks Who Brought AI to Google, Facebook, and the World by Cade Metz.

Kate

God Spare the Girls by Kelsey McKinney. I’m a fan of Kelsey McKinney’s writing in general and I was thus hyped when I saw she was publishing a book! And y’all, not only did she publish a book, but I’m pretty sure she published it just for me. I’m not a PK (preacher’s kid), but I did grow up in the church in Texas, so although the experiences in the book were not mine, it was all very familiar.

The Book of Lost and Found by Lucy Foley. This is not my usual genre (dark, depression, soul crushing), but I really, really liked this book. After finishing I immediately texted Abby Blachly for more recommendations in the genre.

Such a Fun Age by Kiley Reid. It’s been a minute since a book made me gasp. This one did.

Circe by Madeline Miller. I’m years late to reading this one and it definitely lived up to the hype. Such a gorgeous and well-written book.

When Breath Becomes Air by Paul Kalanithi.. This book DESTROYED me and I’m not sure I’ve recovered. This is the highest praise I can bestow upon a book.

Lucy

Kafka on the Shore by Haruki Murakami. This year I discovered a love for the books of Haruki Murakami; I have yet to read one of his books that I don’t like, but this has been my favorite so far!

The Ten Thousand Doors of January by Alix E. Harrow. This book is a beautiful, fantastical journey…

Over in the Woodland: A Mythological Counting Journey by Nicole Abreu, illustrated by Susannah Covelli. This picture book features beautiful artwork and mesmerizing text depicting mythological creatures in a counting book format.

The Mandibles: A Family, 2029-2047 by Lionel Shriver. Lionel Shriver is another favorite author of mine, and this book did not disappoint; it looks at what could happen if US currency loses its value worldwide, and some of its predictions hit a little close home in our current Covid world.

Tetris: The Games People Play by Box Brown. I’m not usually a fan of non-fiction, but this graphic novel that tells the story of how the video game Tetris became a sensation across the globe was fascinating!

Chris C (ccatalfo)

The Little Book of Hygge: Danish Secrets to Happy Living by Mike Wiking.

The Art of Making Memories: How to Create and Remember Happy Moments by Mike Wiking.

Principles: Life and Work by Ray Dalio.

Practical UX Design by Scott Faranello.

Design for Hackers: Reverse Engineering Beauty by David Kadavy.

Kristi

Wrestling with the Devil: A Prison Memoir by Ngũgĩ wa Thiong’o. Ngũgĩ wa Thiong’o recounts the year he spent imprisoned at Kenya’s Kamiti Maximum Security Prison, all for writing a play (that empowered the community but challenged the regime). Powerful, insightful, humorous at times, and a good history lesson on White colonialism in Black communities.

Mirrorland by Carole Johnstone. This one gave me a few surprising twists, which isn’t a usual occurrence with most mysteries I read. Well done! I’m going to have to read more from Carole Johnstone.

The Handmaid’s Tale by Margaret Atwood. An unmatched level of prose in this one. Parts of the story stopped me short, with haunting flickers of relatability in traumatic female experiences. It’s obviously a classic that I needed to finally check off my TBR list, but now I have to read the sequel because the ending left me hanging off a cliff!

The Hitchhiker’s Guide to the Galaxy by Douglas Adams. This was another classic that I had to read this year, finally. I have watched the movie many times, and have to say that it’s one of the better adaptations I’ve seen. They took quite a bit from the book, and the book was such an enjoyable read I felt that watching the movie first didn’t ruin the experience. This will definitely be a regular re-read.

How To Be a Woman by Caitlin Moran. A witty, validating read for the modern woman (or man)! Just read it, you’ll be entertained, at least, and you might even gain some added perspective.

Chris H (conceptdawg)

The Evening and the Morning by Ken Follett. This was such a wonderful addition to the Pillars of the Earth/Kingsbridge series. If you liked the first installments then you’ll love this one too.

The Thomas Hill Trilogy: The King’s Spy, The King’s Exile, The King’s Return by Andrew Swanston. A fun series: full of murder, mystery, intrigue, and cryptography.

Porsche Unseen by Stefan Bogner. A wonderful look at future design ideas within the Porsche design department accompanied by exquisite photography.

The Rise and Fall of D.O.D.O. by Neal Stephenson. A book with technology, witches, magic, and time travel to historic Boston and London. It’s pretty spot-on for me.

Project Hail Mary by Andy Weir. If you enjoyed The Martian then you’ll enjoy this one just as much.

Abigail

The Raconteur’s Commonplace Book by Kate Milford. A marvelous middle-grade fantasy, set in Kate Milford’s made-up world of Nagspeake, this book is modeled on such classics as The Canterbury Tales or The Decameron, and features a set of characters thrown together by circumstance, who must each relate a tale for the entertainment of their companions. These stories give some fascinating insight into the magical world of Nagspeake—an independent city-state in the Middle Atlantic region of an alternative-history North America—and are interconnected with all of Milford’s other books. Recommended, along with all of the Greenglass House books before it.

Anna ~ Charlotte by Clare Mallory. Well-written, entertaining, engrossing, and emotionally involving, this middle-grade novel from New Zealand author Clare Mallory was written in 1949-1950, but not published until 2016. It manages to combine so many of the charming elements of vintage girls’ books—the school story elements, the friendships, the satisfying self-improvement narratives—with a realistic, sympathetic and non-sensational depiction of bullying, family dysfunction, and alcoholism. This story addresses real problems, but it does not feel like a “problem novel,” as they would come to be called a number of decades later.

Knight Crusader by Ronald Welch. Originally published in 1954, and awarded the Carnegie Medal that year, this British novel for young readers is a marvelously told work of historical fiction—instantly engrossing and consistently engaging. The historical setting is believably depicted, and the characters feel as if they truly live. This is definitely not one of those “historical” novels that feels like a contemporary tale dressed up in period costume, with characters whose outlook on life would be more appropriate today, then in the twelfth century. Rather, one feels as if the characters were people of their time, and the reader enters into their feelings, rather than feeling they were created to reinforce her own.

Branches of Hope: The 9/11 Survivor Tree by Ann Magee, illustrated by Nicole Wong. An immensely powerful and poignant picture book, one which addresses the calamity of the 9/11 terrorist attack through the story of the Callery pear tree which survived being buried by the rubble of the World Trade Center. Ann Magee makes her debut here, and her tree-centered tale is well matched by illustrator Nicole Wong’s lovely artwork. I wasn’t sure at first that I cared for the opening scenes, in which the calamity of 9/11 intrudes, with no explanation given in the text as to what is going on, but then it occurred to me that this was a story from the tree’s perspective, and that human actions and affairs would seem well-nigh incomprehensible to our arboreal friends at the best of times. This realization made the opening scenes even more powerful to me, and I appreciated how the narrative from the tree’s perspective was paired with visuals that depicted both the events surrounding the tree, and the life of a family experiencing 9/11 and its aftermath. I was moved to tears by this book, both because of the story it was unfolding, and because of my memories of New York, after the attack.

The Three Lucys by Hayan Charara, illustrated by Sara Kahn. Based upon events in his own family’s life, Lebanese-American author Hayan Charara addresses the devastation that war causes in this deeply moving picture book. Following the story of a young boy who goes away from his home for what he imagines will be a one week visit to relatives, the book depicts the way in which children and animals—the eponymous three Lucys are the family cats—suffer as a result of adult actions. The story here is pitch perfect, exploring serious real-world issues from a child’s perspective. There is a sense of the more complicated grownup world in the background, but the boy has his own concerns, and so do the three Lucys. Charara’s moving story here is skillfully matched by illustrator Sara Kahn’s watercolor artwork, which perfectly captures the emotional register of each scene. I wept, reading this.

Pedro

A Promised Land by Barack Obama.

Cosmos by Carl Sagan.

The 7 Habits of Highly Effective People by Stephen R. Covey.

That’s it!

Come record your own Top Five Books of 2021 on our December List of the Month, and join the discussion over in Talk.

Labels: top five

Friday, December 3rd, 2021

An Interview with Scholar Anna Faktorovich

LibraryThing is pleased to sit down this month with author, academic and publisher Anna Faktorovich to discuss her fascinating new project, which attempts to solve some of the mysteries surrounding the authorship of many literary texts from the British Renaissance. From the works of William Shakespeare to Christopher Marlowe, these texts have been analyzed using the computational-linguistic method she invented—one incorporating a combination of 27 different tests—as well as being subjected to structural, biographical and other attribution approaches. Dr. Faktorovich concludes that all of the tested 284 works from between 1560 to 1650 were authored by six ghostwriters. The results of this massive study have been published in Re-Attribution of the British Renaissance Corpus, while a number of the texts themselves have been translated for the first time and released as part of her British Renaissance Re-Attribution and Modernization Series, published by Anaphora Literary Press.

Your project seeks to reshape our understanding of a key period in British literature. How did you get the idea for it?

This series would not have been possible without the previous two decades of research I undertook on surrounding topics. My PhD dissertation and my first scholarly book, Rebellion as Genre in the Novels of Scott, Dickens and Stevenson, explored the concept of formulas and structure of literature. Then, my second book, The Formulas of Popular Fiction, dissected the range, history and methodology of the formulas that modern readers are familiar with. Then I digressed from the standard topics covered in scholarly books to explore via my own publishing company more complex social questions such as the difference between mega-corporate capitalism and Radical Agrarian Economics. I also explored why the publishing industry has a bias that prefers lighter and more low-brow literature from female writers, while preferring denser fiction from male writers in Gender Bias in Mystery and Romance Novel Publishing. While writing this book, I realized that romances, mysteries and male and female voices had quantitatively different linguistic measurements.

None of these titles, “self-published” with my Anaphora Literary Press, received any recognition, so the next book I researched was The History of British and American Author-Publishers and Satirical 18th Century British Novels, which explained that the best British/American authors (Sir Walter Scott, Lord Byron, Charles Dickens, Virginia Woolf, Benjamin Franklin, Edgar Allan Poe, Mark Twain, Herman Melville and Alice Walker) self-published their best works. Then, I decided to attempt to return to traditional scholarly publishing by writing about the foundations of British satire in the eighteenth century, but as I began my research, I came across studies that questioned the authorship of texts assigned to Daniel Defoe. I designed a few linguistic measurement experiments to test these authorship questions and immediately discovered that some of “Defoe’s” novels were obviously mis-attributed and were actually ghostwritten by Robert Paltock. I made several other re-attributions of texts from the 18th century across fourteen essays, but before I edited these for publication as a book, I was asked by Editor Robert Hauptman, who published one of these essays in his Journal of Information Ethics, if I could prove the accuracy of my method by applying it to a uniquely complex period to re-attribute—the British Renaissance.

There were around sixty authors that had been previously proposed by scholars as the “true” Shakespeare, so I adjusted the computational-linguistic author-attribution method I had used for the 18th century to be more easily applicable to a much larger corpus of texts. The attribution process was indeed extremely difficult because I kept finding similar texts that matched only six linguistic signatures, so it became apparent that there were only six ghostwriters working across this period. The identity of these ghostwriters remained a mystery, until I expanded the study to 104 different bylines and over 200 different texts. Only one of these six ghostwriters (Ben Jonson) is familiar to modern literature researchers, while the rest remain obscure, despite their obvious significance in their own day (Josuah Sylvester was an official Court Poet, William Byrd was granted a music/poetry publishing monopoly by Elizabeth I, and Richard Verstegan held control over an exile Catholic publishing monopoly). When these six ghostwriters’ biographies were compared to all of the other biographies in their linguistic groups, it became clear that only they were alive long enough and had access to have written these clusters of texts.

While the evidence I was gathering, in the form of documentary records, handwriting, forensic accounting, and various other forms of proof was overwhelming, scholarly journals kept saying that I needed more proof. So I decided to add to the 698-page scholarly study, or Re-Attribution of the British Renaissance Corpus (Volumes 1-2), a full series of translations from Early Modern English into Modern English of previously untranslated plays, poetry, non-fiction and other genres (Volumes 3-14), with around fourteen more volumes forthcoming. These translations are accompanied by annotations, introductions and primary sources that add thousands of pieces of evidence that confirm the re-attributions made in the central study. This was a gradual process of digging into the research, and addressing new evidence and new questions as they came up.

How does this newly invented “computational-linguistic method” of textual analysis work? Can you give us an example?

Here is a simple set of steps anybody can take to apply my method.

1. Find a group of texts (there should be at least 20 texts by a few different bylines) from a given period that are connected to an authorial mystery you want to solve, and save them as plain documents.

2. Open free publicly-accessible websites—www.analyzemywriting.com, www.online-utility.org, or http://liwc.wpengine.com—and download the WordSmith program.

3. Enter each of the texts separately into each of these platforms and record the data for several linguistic tests into a spreadsheet. For the Renaissance corpus I used 27 tests for punctuation, lexical density, parts of speech, passive voice, characters and syllables per word, psychological word-choice, and patterns of the top-6 words and letters. The tests for top-6 words and letters require additional steps, so you can skip these in favor of other simple single-number tests available on these platforms. Your first column should be the titles of all texts in the group, and the top row should be the names of the different tests applied to them. You will want to create duplicates of this raw data in separate tabs in the spreadsheet, with one sheet for each text in the group.

4. In the spreadsheet, organize the numbers for each of the tests from-smallest-to-largest, and mark only the texts that are with 17-18% of the compared text on this spectrum. For example, if you are only testing 20 texts, you can select 2 texts just above and 2 more just below your compared-against text’s value and change their numbers to 1, while changing all of the other numbers to 0; the 1 means the texts are similar, while the 0 means they are different.

5. When you have changed the entire sheet’s data into 0s and 1s, create a last column and automatically add up the Sum for each row.

6. Evaluate your results to determine what number in the sum column means two texts are by the same author, or if they were written by two or more authors, or if they were written by different authors. A smaller corpus can still have a few texts with extremely high numbers of matches to each other, if all of the other texts were written by different authors. And a large corpus might have fewer matches, but to a very large quantity of texts that all share a single underlying author. You will have to create a cut-off point for the number of matches that separate similar from divergent texts in your chosen group.

You can see the raw data and calculations I derived for the Re-Attribution series HERE. One of the tables I added to this GitHub site is “Koppel Experiment Reviewed – Data Tables.” This was a small experiment I ran for a second article I wrote for the Journal of Information Ethics, in which I discredit the findings and methodology applied in Moshe Koppel, Jonathan Schler and Elisheva Bonchek-Dokow’s 2007 article, Measuring Differentiability: Unmasking Pseudonymous Authors.” As you can see from the data, my findings are tragic from my perspective, as I am a fan of all of these great writers that I would not have thought were capable of being implicated in ghostwriting. For example, the data indicates only two linguistic signatures between the three Bronte sisters, suggesting it is likely the initial assignment of these texts to only two male brothers was more accurate than the current belief three women wrote them. This conclusion did not shock me as much as it would have a couple of years ago. I had initially hoped previous scholars who guessed “Emilia Bassano” could have been the true author behind “Shakespeare” were correct, but the data proved that “Bassano”, as well as several other ostensible female groundbreakers like “Mary Sidney” and “Lady Mary Wroth,” were not actually writers, but either hired ghostwriters or were mis-attributed with credits. You really have to read Volumes 1-2 to understand how overwhelming the evidence is for these conclusions, as reading this summary alone could not possibly convince anybody that the history with which they are familiar is entirely incorrect.

There have been challenges made in the past to the authorship of some of these works—in William Shakespeare’s case especially. What does your approach bring to the ongoing discussion that is new and convincing?

The approximately 60 previous bylines that have been proposed by scholars as alternative “true” authors behind the “Shakespeare” byline matches my finding that only six ghostwriters wrote all of the tested texts from this century. With only six authorial styles in this mix, it has been very easy for scholars to find linguistic, structural, thematic and other similarities between any cluster of randomly selected texts by two given bylines or between a questionable text and a text by another byline. While scholars in this field have made the current attributions seem rational, a close examination of all past re-attributions betrays nonsensical chaos. For example, A Yorkshire Tragedy was bylined as “Written by W. Shakspeare”, but it is currently attributed to “Thomas Middleton” in Roger Holdsworth’s analysis in the The New Oxford Shakespeare Authorship Companion. Another absurd string of past re-attributions I found was for the short poem, “Funeral Elegy by W. S.” (1612), which was first attributed to “Shakespeare” by Donald W. Foster, before it was re-assigned to “Davies” by Brian Vickers and then to “Ford” with equal certainty. My study re-attributes this “Elegy” to Gabriel Harvey, the Cambridge rhetoric professor.

William Percy has never been previously proposed as a potential underlying author behind the “William Shakespeare” pseudonym. I started my study by researching all previous articles, books and the like that suggested alternative “Shakespeares” and this list included many obscure names such as Alexander, Armin, Aylett and Daniel, popular bylines such as Bacon and Fletcher, and aristocrats such as Dyer, and even Queen Elizabeth. There are a mere 70 titles in WorldCat attributed to William Percy as an author versus the 81,521 titles attributed to “Shakespeare”. The translations of Percy’s self-attributed 5 plays and sonnet collection that I executed in Volumes 3-8 have never been attempted before, so modern scholars have not even had access to these to allow them to realize their similarity with “Shakespeare” in structure, storylines, as well as in linguistics. I only came across Percy’s name when I considered nearly all of the bylines used across this century that could have approximately fit with the timeline of these publications. Percy’s sonnet collection (the only book he published under his own byline) happened to have been digitized in Early English Books Online, and this invited me to dig up his buried in the archives plays.

The 284 texts I tested comprise the largest corpus of Renaissance work ever subjected to computational-linguistic analysis. My combination of 27 different tests is thousands of times more accurate than the standard method in this field, which only tests the frequency of common words. The point that swayed me beyond all doubt towards Percy was when I learned about the £2,400 loan William and his brother Henry Percy (Earl of Northumberland) took out from Arthur Medleycote (London merchant tailor) in 1593, just before the granting of the theater duopoly by Elizabeth I in 1594. This documented proof, without any corresponding record of what else William could have spent this sum on, firmly establishes that William re-invested this sum in troupe-development and theater-building in London, under pseudonyms such as “Shakespeare”. The currently accepted mythologic belief that “Shakespeare” was a real person who was a theater investor and manager was largely started by Nicholas Rowe, in his 1709 Some Account of the Life of Mr. William Shakespear. Rowe absurdly claimed that Sir William Davenant had started the gossip that Henry Wriothesley, 3rd Earl of Southampton, gave Shakespeare £1,000 “to set him up in his career.” It is absurd to believe that any aristocrat would have gifted this astronomic sum to any actor without a record in his accounts of this irrationally generous gift. There are similar irrefutable pieces of proof in every line and paragraph of my series.

You also seek to modernize and reintroduce the works to the public. Why is this important?

As I mentioned, none of William Percy’s plays or poetry, or the plays I am re-attributing to him in this part of the series, have ever been translated into accessible Modern English before. In the middle of my computational study, it became clear that the “Shakespeare” plays and poetry translated into Modern English registered as a separate linguistic signature from these same texts in their original spelling. In other words, editors have made such heavy changes to the canon of “Shakespeare” texts that this resulting style is a distinct linguistic signature or author. Modern readers and scholars alike intuitively believe in “Shakespeare’s” superiority and distinction from the bulk of other British Renaissance bylines such as “Robert Armin”, or anonymous plays such as Look Around You, because they are used to reading the understandable and polished modern versions of “Shakespeare”. This is also why when computational-linguists have tested plays such as the anonymous True Chronicle History of King Leir (1605), they have concluded that it was written by a different author than the modernized version of King Lear (1608). When I compared the original-spelling Lear to Leir, they had some near-identical linguistic measurements and were obviously both written by William Percy. Leir was the first experiment that Percy very heavily re-wrote in the second polished Lear edition under the “Shakespeare” byline.

All of the texts I included in this series have unique significance to literary history. For example, Look Around You was the first part of the myth-starting Robin Hood trilogy that previous critics have missed. And while the second quarto of “Shakespeare’s” Hamlet has been repeatedly re-translated, the first quarto that I translated in this series (Hamlet: The First Quarto) has never been translated in full before. It appears to have been intentionally censored by academia as “bad” because it (unlike the later versions) clearly points to Hamlet deflowering Ofelia and pretending to be mad to hide his homosexual relationship with Horatio (who threatens to kill himself for Hamlet). There is more literary and historical value in each of this series’ texts than in any of the canonical “Shakespeare” plays. It is impossible for even a seasoned scholar to read any of these texts in their old-spelling originals, not only because the meaning of most words has changed, but also because Percy also uses multiple languages (Latin, French, Italian), makes up words (which have been claimed to be nonsense by most scholars, when they have clear meanings when their parts are isolated), and uses allusions and quotes from obscure sources that need to be digested in annotations to be grasped. Some of these texts were never published or staged, and those that were printed were mostly only printed in as few as one or two copies. Thus, these Renaissance plays have never been introduced to the public before.

Tell us about your library. What’s on your own shelves?

My shelves are full with around 500 physical books, most of which I received for free from academic publishers in exchange for reviewing them in my Pennsylvania Literary Journal. You can see the latest of these reviews HERE. Some of them I received as free exam copies from publishers, when I have taught these textbooks in my college classes. I used to buy books back in college and graduate school, but I have moved so frequently in those years that I have donated most of them. The only paid-for books I now have are Anaphora titles by myself and other writers.

What have you been reading lately?

In addition to the hundred or so books I read annually, in order to review them in PLJ, I read thousands of other books for my research projects. When I am teaching in universities or live near an academic library, I check out the maximum-allowed pile of books every couple of weeks. But across the last four years I have conducted my research remotely by accessing free books on Google, Project Gutenberg and various other platforms. I also use LookInside features to find evidence in newer books, or request some relevant new titles for review before reusing them in my research. I also have access to research articles on TexShare. Most of the books I needed for the translation series were published during the Renaissance and have been digitized to be freely available. On an average day of translation research, I probably check 100 different sources to write a single page of annotations, and the series has 2,500 pages so far. It would have been impossible for me to check out a quarter-of-a-million books from even the biggest library, and most of the contemporary books are rare single-copies that are in closed collections. The names of the specific texts I have been reading are thus cited in the annotations; I will not attempt to insert a bibliography here to name them.

Labels: Uncategorized

Monday, November 29th, 2021

8th Annual LibraryThing Holiday Card Exchange

The 8th annual LibraryThing Holiday Card Exchange is here!

How it works:

  • Mail a holiday card to a random LibraryThing member.
  • You can mail a handmade or storebought card. Add a note to personalize it.
  • You’ll get one from another member. (Only that member will see your address.*)

» Sign up for the LibrayThing Holiday Card Exchange now

Sign-ups for the Card Exchange closes Wednesday, December 8th at 12:00 PM Eastern (17:00 GMT). We’ll inform you of your matches within an hour or so after we close. Send your cards out soon after.

Questions? Join the discussion on Talk.


* In order for the cards you receive to be addressed to your real name, you must include your name in the address box. Some postal services require that addressee names match what’s on your mailbox.

Labels: card exchange, events, holiday

Monday, November 29th, 2021

The LibraryThing Holiday Store is Open

holidaystore

It’s the most wonderful time of the year! LibraryThing’s 15th annual SantaThing exchange is in full swing—signups just closed and matches are being made! It’s also Cyber Monday, so we’re opening up the LibraryThing Holiday Store all the way through Epiphany*. Come and stock up on all of your favorite bookish gifts for the holidays.

We’re offering some serious discounts** this year, including CueCat barcode scanners for just $5 apiece, barcode labels starting at $5 for the first packet in each set (that’s half off), book stamps starting at $6, our favorite, oversized, organic-cotton tote bags for just $19, and more.

Shop the Holiday Store now through January 6: https://www.librarything.com/more/store.


*Epiphany is also known as Little Christmas, the night before Orthodox Christmas or the day after the Twelfth day of Christmas—surely your loved one deserves twelve LibraryThing tote bags?

**Prices do not include cost of shipping. Shipping is included on Store pages.

Labels: holiday, sale

Tuesday, November 23rd, 2021

TinyCat’s November Library of the Month: The Gnomon Library & Learning Resource Center

To read more about TinyCat’s Library of the Month feature, visit the TinyCat Post archive here.

TinyCat’s November Library of the Month is one that I have admired for years from afar, and I’m so glad that Library Director Lucy Bellamy was able to take my questions this month. I hope you enjoy reading about the Library & Learning Resources at Gnomon’s School of Games, Visual Effects & Animation in Hollywood, California as much as I did:

Who are you, and what is your mission—your “raison d’être”?

The Gnomon Library boasts an attractive space for study and digital creation.

My name is Lucy Bellamy. I am the Director, Library & Learning Resources at Gnomon’s School of Games, Visual Effects & Animation in Hollywood, California. I came to Gnomon to help build their library from the ground up when the college was accredited to offer their first Bachelor of Art program. It was a once-in-a-lifetime opportunity that not many librarians experience. Gnomon is an accredited technical college that offers bachelors programs, a two-year certificate program, Foundation in Art & Design courses, as well as individual courses for career professionals wanting to enhance their industry skills.

Tell us some interesting things about how your library supports the community.

The Gnomon Library is part academic and part special library. The collections support Gnomon’s programs and courses first, as well as inspire the creativity of our community of digital artists. While our collections include traditional books, ebooks, print and digital magazines, resources commonly found in most other libraries, there is also a diverse collection of art objects which our students use as reference for course work. These include vintage cameras, light fixtures, skulls(!), and more.

Our collection was started with donations from instructors, working digital artists, and industry publishers. The resources being donated were those that the donors found helpful, even inspirational to their professional development. In many ways, I viewed their donations as a demonstration of their support of our students looking to join their industry in the future.

What are some of your favorite items in your collection?

Real-life skulls, used as artistic references, peek out of the shelves at the Gnomon Library.

That’s a tough question. With so many unique objects in the collection, I think my favorite thing is the 19th century volume set of Encyclopedia Britannica published in 1877. It was originally added for its visual value because the texture of the covers is so unique. Students reference textures to re-create various surfaces in the digital space, thus this part of the collection is used not only for what is in the encyclopedia — as an information resource — but for the actual cover. When any audience appreciates a text, it is exciting, but when an audience values a text, it’s structure, and studies in the same way, it is exhilarating. I have consulted and referenced one or more of the volumes during library instruction sessions specifically for our art history and cultural studies courses, and it is wonderful to share this asset.

What’s a particular challenge your library experiences?

One challenge has been maintaining a print collection of current resources for the different software programs students are learning. Because of publishing lead times, often once a (software) book is published it may be outdated because the software has been updated which then can compromise the value of the information. Simply, our specific technology is dynamic to the point of any given new resource which may be obsolete within months post-publishing.

What we’ve done to address that concern is create catalog records that are discoverable in our online catalog (TinyCat) embedded with a link to the learning resource pages of the different software companies. This access point offers students a connection to the most up-to-date information including reference documentation and tutorials for the programs they are learning and will be using when they work in the industry.

What is your favorite thing about TinyCat, and what’s something you’d love to see implemented/developed?

Prior to using TinyCat, I had NO experience with cataloging nor an understanding of the “back end” of a library management system. That quickly changed when the new library needed one. Of the different vendors considered, only LibraryThing and TinyCat seemed promising for what our library needed, and my learning curve. The platform is easy to use, understand, and navigate. More importantly, our students and faculty use TinyCat’s online catalog to connect with the resources they need when they need it.

What I’d like to see as a future tool? Perhaps a WYSIWYG “call out message box” that will display on the online catalog home page. Maybe it could be an option included under the “Content to show underneath the search box” category on the general TinyCat Admin “Settings” page. Something that would allow users to post quick messages like “Good luck with finals!” or “Return your books before the end of the term!”

Great feedback! You may be able to add something like this via the Custom JavaScript feature in your Content Settings, though this would show up on every page in your TinyCat rather than just the Homepage. Check it out here, just in case!

Want to learn more about the Gnomon Library? Visit their website here and find their full TinyCat collection here.


To read up on TinyCat’s previous Libraries of the Month, visit the TinyCat Post archive here.

Want to be considered for TinyCat’s Library of the Month? Send us a Tweet @TinyCat_lib or email Kristi at kristi@librarything.com.

Labels: libraries, Library of the Month, TinyCat

Monday, November 8th, 2021

SantaThing 2021: Bookish Secret Santa!

It’s the most wonderful time of the year: the Fifteenth Annual SantaThing is here at last!

We’re focusing on indie bookstores again this year. The pandemic has been a disaster for independent bookstores, even as it sent Amazon sales to new heights. So we picked a few of our favorites indies from around the United States. You can still order Kindle ebooks, we have Book Depository for international orders, and also stores local to Australia and New Zealand this year!

» SIGN UP FOR SANTATHING NOW!

What is SantaThing?

SantaThing is “Secret Santa” for LibraryThing members.

How it Works

You pay $15–$50 and pick your favorite bookseller. We match you with a participant, and you play Santa by selecting books for them. Another Santa does the same for you, in secret. LibraryThing does the ordering, and you get the joy of giving AND receiving books!

Sign up once or thrice, for yourself or someone else.

Even if you don’t want to be a Santa, you can help by suggesting books for others. Click on an existing SantaThing profile to leave a suggestion.

Every year, LibraryThing members give generously to each other through SantaThing. If you’d like to donate an entry, or want to participate, but it’s just not in the budget this year, be sure to check out our Donations Thread (to come), run once again by our fantastic volunteer member, mellymel1713278.

Important Dates

Sign-ups close MONDAY, November 29th at 12pm EST. By the next day, we’ll notify you via profile comment who your Santee is, and you can start picking books.

You’ll then have until FRIDAY, December 3rd at 12pm EST to make your picks. As soon as the picking ends, the ordering begins, and we’ll get all the books out to you as soon as we can.

» Go sign up to become a Secret Santa now!

Supporting Indie Bookstores

We’re teaming up with independent bookstores from around the country to deliver your SantaThing picks, including BookPeople in Austin, TX, Longfellow Books in Portland, ME, and Powell’s Books in Portland, OR.

Once again this year, we’re also offering international deliveries through Book Depository. New to this year are retail partners Readings for our Australian participants and Time Out Bookstore for the Kiwi participants. Kindle is available to all members, regardless of location. To receive Kindle ebooks, your Kindle must be registered on Amazon.com (not .co.uk, .ca, etc.). See more information about all the stores.

Shipping

Some of our booksellers are able to offer free shipping, and some are not. Depending on your bookseller of choice, you may receive $5 less in books, to cover shipping costs. You can find details about shipping costs and holiday ordering deadlines for each of our booksellers here on the SantaThing Help page.

» Go sign up now!

Questions? Comments?

This is our FIFTEENTH year of SantaThing. See the SantaThing Help page further details and FAQ.

Feel free to ask your questions over on this Talk topic, or you can contact Kate directly at kate@librarything.com.

Happy SantaThinging!

Labels: events, fun, holiday, santathing

Monday, November 1st, 2021

November 2021 Early Reviewers Batch is Live!

Win free books from the November 2021 batch of Early Reviewer titles! We’ve got 74 books this month, and a grand total of 2,727 copies to give out. Which books are you hoping to snag this month? Come tell us on Talk.

If you haven’t already, sign up for Early Reviewers. If you’ve already signed up, please check your mailing/email address and make sure they’re correct.

» Request books here!

The deadline to request a copy is Monday, November 29th at 6PM Eastern.

Eligiblity: Publishers do things country-by-country. This month we have publishers who can send books to the US, Canada, the UK, Israel, Australia, France, Germany, and many more. Make sure to check the flags by each book to see if it can be sent to your country.

Thanks to all the publishers participating this month!

Candlewick Press Akashic Books Unsolicited Press
Black Rose Writing City Owl Press Beaufort Books
Flyaway Books BHC Press Ooligan Press
writesideleft Tierra Simbolica TouchPoint Press
West Margin Press Artemesia Publishing Jumble Books and Publishers
Heritage Books Aquarius Press Anaphora Literary Press
Meerkat Press Revell Thinklings Books
World Weaver Press Nysa Media TouchPoint Romance
Greenleaf Book Group Vibrant Publishers BookViewCafe
Fathom Publishing Company NewCon Press Coach House Books

Labels: early reviewers, LTER

Friday, October 22nd, 2021

An Interview with Novelist Priyanka Champaneri

LibraryThing is very pleased to sit down this month with author Priyanka Champaneri, whose debut novel, The City of Good Death, won the Restless Books Prize for New Immigrant Writing in 2018 and is shortlisted for the Center for Fiction’s 2021 First Novel Prize. Set in the Indian city of Banaras, it follows the story of a man who works at one of the city’s death hostels, where the dying come for a “good death”⁠—one that will release them from the cycle of reincarnation.

Your book is set in a locale you have never visited, and addresses a very specific set of cultural and religious practices. How did the idea for this story come to you?

I’d grown up in a Hindu household and had a distant understanding of Banaras and its importance within the religion, but my interest wasn’t really piqued until after college, when a friend sent me a link to a Reuters article titled “Check In and Die in Two Weeks, or Get Out.” That article was my introduction to the city’s death hostels, and I was immediately intrigued. In hindsight, I now realize the attraction was likely hooking into the different parts of my identity. The part that had grown up surrounded by Hindu philosophy understood the practical need for a death hostel, but the part that was born, raised, and educated in the United States could also view the hostels from a Western perspective, one that might see such places as utterly unique or even alien.

There were so many layers right there that instantly caught at my interest, but I didn’t do anything about it immediately. At that point, I hadn’t yet entered graduate school, and I wasn’t really writing much of anything in a focused way. But the idea of setting a story in a death hostel stayed with me once I began my MFA program at George Mason University, always humming in the back of my mind as something I might one day use. I began to read about Banaras to satisfy my curiosity about the city, and the initial reading sent me down a wonderful rabbit hole of research. I started looking for more visual resources as well, books of photography, films and documentaries, YouTube videos uploaded by travelers walking through the city’s narrow alleys. I wasn’t doing any of this in an intentional way, and writing a book still seemed like an impossible thing. Beyond my limited confidence in my abilities as a writer—both then and now—I was also hesitant because, as you mention, I had never visited this city. I was intensely wary of writing about a place that I had no firsthand experience with, particularly one as important and iconic as Banaras.

But while I was contending with my anxieties and fears, all the research I was doing just piled up in my brain, and I started seeing scenes, hearing characters, feeling something grow within my imagination. I had thought quite a bit about the things I felt I didn’t know, but I hadn’t realized the richness of what I did know—the visuals I’d stored away from my travels to India, the stories I’d grown up hearing my father tell me about his childhood in a Gujarati village, the extensive home library of Indian fairytales and Hindu philosophy that I had access to when I was growing up. All of that came together and informed the book that would become The City of Good Death.

You describe yourself as a “slow writer,” taking over a decade to craft and publish your first book. What are the advantages and disadvantages of taking your time, and what has the publishing process been like for you?

It’s really hard to say there are any advantages to being slow—I certainly wish I was faster. One contributing factor to my slow pace is I work a full-time day job, and my writing time is limited to weekends and evenings. But the biggest reason I take so long is because I can only write organically—I’ve tried to write using outlines, but I just get bored and my motivation quickly dries up. Working blind, with no real notion of where the story is going, keeps the work interesting for me, because I find things out page by page much as a reader hopefully discovers things. But it’s also painfully slow, because what the reader doesn’t see are all the wrong turns and dead ends I’ve found myself in, where I had to work myself back out and start over.

I spend a lot of time thinking rather than writing, especially when I get to a crux point in the plot where a character has to react, or something major happens—for days, weeks, even months I will turn over possibilities in my head. My goal is to stay true to what the character would do while also avoiding all outcomes a reader might expect. There’s a Pixar infographic I once saw where the writers talked about their storymaking process. They say that first they think of what might happen in a situation, and then they discard the idea; they go for the second solution and discard that idea—on and on for about five iterations, until finally the one they land on is the least obvious and the most surprising.

I really took that advice to heart, because creating surprise in plot is so rare and hard to do. I would mentally cycle through scenarios—”What if this happens? Or what if this happens?”—basically storyboarding the scene in my imagination, and when I got to an idea I thought might work, I sat down and wrote it. Even then, it very often didn’t work. It was a constant trial-and-error process of trying to get to the most authentic action for the character, and the most surprising resolution for the plot.

The publishing process has been both eye-opening and humbling for me. I tried to get this book published the traditional way—e.g. finding an agent, submitting the book to editors at any of the major U.S. publishers, and going from there. While it worked out with the agent portion—Leigh Feldman has been a fantastic ally and collaborator during the entire process—it didn’t work out with the publishers. We submitted the book for about two years, covering all the major, minor, and independent presses in the United States, as well as some in the United Kingdom and in India, and while we received really lovely responses, no one was willing to acquire the book.

After revising and submitting and still receiving no interest, Leigh and I had a conversation about me shelving the book and moving on with my writing life to work on something new. A few months later, I submitted the book to the Restless Books Prize for New Immigrant Writing. Winning the prize was the only thing that saved the book from a life of being confined to the hard drive of my computer.

Nothing about the book changed between the version submitted to publishers and the version submitted to the contest. What changed was the willingness to give an unknown writer and an unknown story—one told with a lens that is unfamiliar to many in the Western world—a chance at a wider audience. And for that I am profoundly grateful and very aware of how fortunate I am, and how everything that has subsequently come my way—every event, every encounter with a reader, every interview (like this one!)—is a gift. Because it could have gone very differently.

Did writing this book change or influence your own views on the subject of death? What is a “good death” for Priyanka Champaneri?

The entire process of writing and revising this book took about 10 years, so it’s difficult to pinpoint whether the person I am today, and the views I have now, are a place that I was guided towards because of the book, or because it was the inevitable result of time passing and my getting older. I actually think the book just sharpened things for me. Whenever I’m feeling out of balance emotionally, I often don’t know why—but I can usually write my way to understanding the reason. Similarly, I think writing this book forced me to pull out what I’d thought about over the years—the principles I’d tried to live my life by, the conclusions I’d come to, the questions that still occupied me—and really examine them for what they were. And that process was one that probably did more to solidify my perspective, rather than shape.

I’m too superstitious to go into detail about what a good death means for me—but I will say that I believe a good death hinges on whether a person feels they led a good life. And that means different things to different people. Much of my spiritual philosophy centers around duty and a balancing of scales, so I try to live ensuring that I fulfill all my obligations to the people and things I share my life with.

What was the most interesting thing you learned while researching the book?

I love this question—no one has asked me this! I have two things that really struck me in my reading that have stayed with me. One is associated with the reason Banaras is said to have this effect of ending the cycle of reincarnation for those who die there—it’s said that time simply does not exist in the city. And without time, you accrue neither good nor bad karma—your scales are always balanced, no matter your actions.

This was something I really ran with when writing The City of Good Death, which gives no obvious clue as to when the story is taking place. I didn’t want to be tied to any specific historical event, and I also wanted to create something that seemed like it could have happened 200 years ago or be happening now, because that echoes my experiences of traveling in India. You could be getting a lecture from a child on the street about coding, then turn the corner and stumble on a weaver working his loom in the same way his ancestors would have done generations before.

The other interesting find is a story I came across in my research. Banaras is said to be the city of Shiva—the Hindu trinity’s God of Destruction. And when a person dies in Banaras, it’s said that Shiva is the one to whisper the words the soul will need for safe passage out of the cycle of reincarnation and on to liberation. I could immediately see that image in my head, and I was desperate to write my own version. I didn’t always know where the book was headed as I was writing it, but I did know I wanted a character to have an experience with that moment, so it was something to keep me motivated as I worked on the book.

Tell us about your library. What’s on your own shelves?

You can trace the years of my reading life through my bookshelves. Phase 1 is filled with fairy tales—especially the entire Rainbow Fairy Book series edited by Andrew Lang—as well as all of Roald Dahl, Dick King-Smith, the Anne of Green Gables series, and the entire Amar Chitra Katha oeuvre of comic book adaptations of The Mahabharata and other Hindu epics and mythology.

The next phase comprises all the big, capacious novels that I love to get lost in—A Suitable Boy, A House for Mr. Biswas, The Amazing Adventures of Kavalier & Clay, Midnight’s Children, Our Mutual Friend, A Tree Grows in Brooklyn, and the entire Harry Potter series.

And in my current phase, I’m just indiscriminately reading everything, so there are art books, photography books, fairy tale retellings, essays, poetry, slim introspective novellas alongside colorful and fast-paced graphic novels. I no longer care about genre or form or even subject matter. My only goal as a reader is to experience a perspective that is new to me, and always, always, be engulfed by story.

What have you been reading lately, and what would you recommend to other readers?

Umma’s Table by Yeon-Sik Hong (translated by Janet Hong) is probably the best graphic novel I’ve read all year. It’s the story of a Korean man’s struggle to find balance between nurturing the world he’s created with his wife, young son, career, and new home with the obligation he has to his elderly parents and all the complexities of his relationship with them.

I’ve also read several Japanese YA/middle-grade books in translation that have just bowled me over—there is such a depth and frankness to them that I haven’t seen before in the genre from Western writers. My favorites so far are Soul Lanterns by Shaw Kuzki and Temple Alley Summer by Sachiko Kashiwaba.

And one more—I recently read Cicada by Shaun Tan, a picture book that just made my head explode, it was so incredibly good!

Labels: author interview, interview

Friday, October 22nd, 2021

Come Join the 2021 Halloween Hunt!

It’s October, and that means the return of our annual Halloween Hunt!

We’ve scattered a collection of jack-o-lanterns around the site, and it’s up to you to try and find them all.

  • Decipher the clues and visit the corresponding LibraryThing pages to find a jack-o-lantern. Each clue points to a specific page right here on LibraryThing. Remember, they are not necessarily work pages!
  • If there’s a jack-o-lantern on a page, you’ll see a banner at the top of the page.
  • You have just over one week to find all the jack-o-lanterns (until 11:59pm EDT, Sunday October 31st).
  • Come brag about your collection of jack-o-lanterns (and get hints) on Talk.

Win prizes:

  • Any member who finds at least two jack-o-lanterns will be
    awarded a jack-o-lantern badge Badge ().
  • Members who find all 12 jack-o-lanterns will be entered into a drawing for one of five LibraryThing (or TinyCat) coaster sets and stickers. We’ll announce winners at the end of the hunt.

P.S. Thanks to conceptDawg for the vulture illustration!

Labels: events

Thursday, October 21st, 2021

An Interview with Poet Danielle Rose

This month LibraryThing sat down with poet and editor Danielle Rose. Rose is the author of at first & then, which won the Fall 2019 Black River Chapbook Competition, as well as The History of Mountains, available through Variant Lit. Her poems have appeared in publications such as Hobart, Palette, and Sundog Lit. She was recently at the center of a social-media storm for comments about the state of poetry in the wider culture (see below), leading to her dismissal from her position as Poetry Editor at Barren Magazine.

“I wish poets understood that the general population has no interest in what we do, so when we speak we are speaking only to each other. The delusion that poetry is something powerful is a straight line to all kinds of toxic positivities that are really just us lying to ourselves.”

You’ve said that your position is not a defeatist one, but affirmative—even liberatory. What did you want fellow poets to take away from your original post?

Intent is a slippery, untrustworthy thing. It is so much in the moment, and our recollection is deeply influenced by our own feelings. My feelings have run a gamut—exhausted, indignant, astonished, cowed, jubilant, disgusted. In one way the tweet was a crude public frustration, in another way the tweet was a nasty dig at folks who genuinely believe that the whole world is composed of poetry all the way down. There was agreement and disagreement, a lot of conversation. Then some people showed up uninvited and broke everything fragile while setting the refuse bins on fire. I am reminded of Brian Massumi: “You are aware of the result, not the process.”

I wonder about confusion. The statement about the problem is not to be confused with the problem itself, although we are quick to do just that. Writers are so used to bending words that we have trouble recognizing when we are the ones being bent around the words we employ. If I could succinctly restate my position, I would do so. But that would be an essay covering already-well trod ground, which would address historical and cultural examples, etc… It would be read by maybe four people.

And somewhere in there I might cut to the banal ordinary and admit that it peeves me that so much of the conversation about poetry in a place like Twitter centers around a performative and uncritical register that contains hyperbolic exclamations about things like ‘power.’ If power is so commonplace what do we even mean by power? We too rarely interrogate our relationship to how language bends us around pillars of utterances that help us categorize our world. We should trace the consequence even if it is something we immediately feel is good.

But I think what I wanted and want is completely immaterial. If quiet, singular desire could win battles, we’d have no need for this kind of communication about communicating. I understand this may not be the most satisfying answer but sometimes answers are not satisfying. Sometimes they aren’t answers at all but instead a pile of questions that now demand your attention and this cycle never really stops, ever, all the way down forever.

If poetry is not meant to communicate with the wider culture and world, what is it for?

“Poetry is concerned with communication” is a quite unassailable position to stake out, I think. It is when we start to use those words that poets like to use with convenient definitions that can be shifted to suit whatever purpose is necessary, like power, that we begin to see problems. Or in other words that here, as well, our feelings shape our conceptions of truth. I think this might be something of an example of what Lauren Berlant and Kathleen Stewart refer to when they talk about ‘what sticks in the mind’ with regard to our beliefs and judgements. That we all encounter ideas and they attach themselves to us in individual ways. Our feelings about the question affect the content of the question. Such as assuming an active, results-oriented result in a field such as poetry. We want what sticks to us to be good for us, however we define that idea.

Instead of focusing on results and becoming bogged down in the aspirational (because concepts that stick reinforce themselves because they are a part of us) we can instead focus on process. What does a poem do? It becomes a record. Eventually, a history. I think there can be a strong argument for the usefulness of poetry in an ethnographic sense insomuch as poetry provides a unique opportunity for language to capture a particular bundle of otherwise intangible things. But at the end of the day poetry is reactive, it responds to something else; it deepens an understanding that is existent in-process, already.

You have stated that you were not “cancelled,” but the response to your post could suggest a desire for uniformity of thought in the poetry world. Is this about conformity?

I think that sometimes we encounter a concept that comes into conflict with the concepts that make up our own identity and this is generally part of a healthy, constant process of individual development. ‘Uniformity’ is ultimately a simplistic model. Berlant tells us about how norms are ‘spongy’ things, their purpose to soak up new concepts. I don’t think that is what is going on here, exactly. Or at least not about the reaction to the tweet, which is different from the tweet, itself. Sara Ahmed says, “The complainer becomes a complaint magnet, to become a complainer is to attract complaints,” and she is right. The lightning rod does not consent to be struck by lighting, it just is.

Maybe more immediate, I do not think you can point at the responses and subsequent discourse and find a coherent uniformity of belief. Everyone who agreed did so for their own, slightly different, reasons; everyone who disagreed did so for their own, slightly different, reasons. Which is a kind of uniformity, I suppose: A uniformity of minor disunion.

You have written of your great love for poetry, and of how you have been hurt by it. What makes poetry so powerful?

I see what you did here. I’m not certain it is helpful.

People have hurt me. More accurately, people’s actions and decisions have caused me harm in front of this backdrop we call ‘poetry.’ It is all just an argument about causal effect. What is doing harm, the poem? No, the poet. The community that affirms that poet despite the harms they cause. A poem cannot plot against you. A poem cannot punch you in the face leaving you with a nosebleed. A poem does not staunch the bleeding, after. We do not seek out poets to build bridges over rivers. There are edges and limits and boundaries to phenomena that we rarely understand more than experiencing a fleeting emotional feeling that becomes intertwined with the thing itself. And then we react with anger when the thing we have merged our selfhoods with is challenged.

None of this is a ‘good look.’ It is barely an identity. Berlant says, “Identity is marketed in national capitalism as a property. It is something you can purchase, or purchase a relation to. Or it is something you already own that you can express: my masculinity, my queerness.” All this possession and ownership and it is reflected in the actions of poets who cannot bear to watch their relationship with capital dressed down to the exploitative economics it actually is, under all the aspirational, self-promotional nonsense.

What poet(s) has/have been most influential in the development of your own work?

This is something that is always changing as I encounter new things and process new ideas. I am quite taken by work that situates itself on the borders of ‘poetry,’ where other disciplines and ideas can seep over that vague boundary and find a foothold somewhere a little new. Since poetry is a kind of produced tool, it should be expansive and useful—not reductive and exclusive.

In the rough contemporary milieu I find myself most drawn to Susan Stewart, Anne Carson, and Lauren Berlant. I have a type, I admit it.

Tell us about your personal library? What’s in it, and how do you organize it?

I dislike ‘getting rid’ of books. I keep everything, and my partner has to keep putting up new bookshelves so I don’t see this changing. It is mostly unorganized. Or it would look unorganized from the outside. Work is clustered by genre, author, etc… I have a few larger, topical collections that are worthy of the term ‘collection.’ They get their own shelves. In my home office I have a ‘working shelf’ of everything that I have touched recently and might need/want again.

And then there are piles of books scattered around the house, always.

I suppose I organize my books according to a momentary hierarchy of my own individual need.

What are you reading now?

Lauren Hough’s Leaving Isn’t the Hardest Thing, Alina Ștefănescu’s DOR, Diane Louie’s Fractal Shores. And whatever else passes across my desk because I soak it all in.

The book I have been most stuck in of recent has been Berlant & Stewart’s The Hundreds, which is an almost-perfect book. Or at least, it tries to actively work with what it is we do, as writers, instead of nailing everything to what we hope to be true before we even test the hypothesis.

Labels: book world, interview, poetry, social media

Monday, October 4th, 2021

October 2021 Early Reviewers Batch is Live!

Win free books from the October 2021 batch of Early Reviewer titles! We’ve got 56 books this month, and a grand total of 1,875 copies to give out. Which books are you hoping to snag this month? Come tell us on Talk.

If you haven’t already, sign up for Early Reviewers. If you’ve already signed up, please check your mailing/email address and make sure they’re correct.

» Request books here!

The deadline to request a copy is Monday, October 25th at 6PM Eastern.

Eligiblity: Publishers do things country-by-country. This month we have publishers who can send books to the US, Canada, the UK, Israel, Australia, France, Germany, and many more. Make sure to check the flags by each book to see if it can be sent to your country.

Thanks to all the publishers participating this month!

Templar Books Walker Books US West Margin Press
The Wild Rose Press Black Rose Writing New Vessel Press
Candlewick Press Highlander Press Small Beer Press
City Owl Press Rot Gut Pulp Greenleaf Book Group
ClydeBank Media Gibbs Smith Publishing Rootstock Publishing
Jumble Books and Publishers Henry Holt and Company TouchPoint Press
Revell Vibrant Publishers Wise Media Group
Ooligan Press BookViewCafe

Labels: early reviewers, LTER

Monday, September 27th, 2021

TinyCat’s September Library of the Month: The Dunedin Athenaeum & Mechanics’ Institute

To read more about TinyCat’s Library of the Month feature, visit the TinyCat Post archive here.

I had the pleasure of interviewing Christine, who is the Librarian at one of the oldest athenaeums in New Zealand—the Dunedin Athenaeum & Mechanics’ Institute—this past month. Christine was gracious enough to answer my questions during the nation’s latest COVID-19 lockdown (a big thanks!):

The Dunedin Athenaeum & Mechanics’ Institute in the 1930’s.

Who are you, and what is your mission—your “raison d’être”?

We are The Dunedin Athenaeum & Mechanics’ Institute, a subscription library established in 1851 by the Scottish settlers who founded the city of Dunedin in New Zealand in 1848. They held the strong Scottish belief that education was the key to prosperity and that knowledge was something to be obtained at all stages of life. Once they had weathered the first year of erratic food supplies and the privations of primitive shelters they turned their attentions to the higher things of life and founded an Athenaeum library with the remit to entertain and educate. They also established a Mechanics’ Institute to provide a more vocational education. Ten years on each organisation decided their aims overlapped to such a degree that merging would be sensible. The Athenaeum & Mechanics’ Institute prospered and quickly faced a seemingly eternal problem of moving to larger premises only to then almost immediately outgrow them. In 1870 they moved into a purpose built building in the Octagon, the centre of the city’s civic life, where it remains.

Tell us some interesting things about how your library supports the community.

Although we predominantly operate as a lending library we record a fortnightly radio show where I review the new books into the library and discuss any topics that have caught my interest. It is called Wireless Books and is broadcast by Otago Access Radio 105.4 FM. We host a monthly book group, the Athenaeum Book Club or ABC. Every Tuesday we hold an open lunchtime event where I read short stories by New Zealand writers. We also host various literary events. Dunedin has City of Literature status within the UNESCO Creative Cities Network and the Athenaeum has a close relationship with the City of Literature coordinator.

What are some of your favorite items in your collection?

Victorian-style archways within the library.

It is not strictly an item in the collection but the thing we most value is the building in which we’re located. It was purpose built for us in the grand Victorian style and we have been operating there since May 1870.

What’s a particular challenge your library experiences?

As we are a subscription library the biggest hurdle we face is convincing people in the internet age that it is value for money to pay a small subscription to gain the services of a dedicated librarian who comes to know their reading tastes and caters to them.

What is your favorite thing about TinyCat, and what’s something you’d love to see implemented/developed?

I love watching the animated cover display, I find it mesmerising. I think it would be really helpful to have a showcase function where people looking at your collection could select that and see a selection of books that you wanted to showcase. For us it would duplicate the shelf we have in the Athenaeum that holds the newest books and where most members make all their selections from.

Great suggestion! While we do allow you to show your animated cover display by “Recent items”, we have had some requests on giving more customization to the display.


Want to learn more about the Dunedin Athenaeum? Check out their Facebook Group, visit their website here, and find their full TinyCat collection here.

To read up on TinyCat’s previous Libraries of the Month, visit the TinyCat Post archive here.

Calling all TinyCat libraries: become TinyCat’s next Library of the Month—just send us a Tweet @TinyCat_lib or email Kristi at kristi@librarything.com.

Labels: libraries, Library of the Month, TinyCat

Wednesday, September 22nd, 2021

An Interview with Michael Tamblyn, Rakuten Kobo CEO

This month LibraryThing is pleased to catch up with Michael Tamblyn, the CEO of Rakuten Kobo, a Canadian ebook, audiobook and ereader company doing business in 150 countries. Tamblyn serves on the board of OverDrive, an ebook distributor working with both the non-profit and retail sectors; is involved with AGE-Well, a Canadian organization dedicated to developing technology and services for healthy aging; and is the founder of BookNet Canada, a “non-profit organization that develops technology, standards, and education to serve the Canadian book industry.”

What drew you to the book business and book technology?

I always loved bookstores. The small town where I grew up had a pretty standard books+cards+stationary store, but I thought it was fantastic and I began bugging the owner for a job at 11 or 12. He was a bookseller of the old school, wore three piece suits to work retail, and had absolutely no need of an urchin to work in his store. Fast forward 8 or 9 years, I’m working my way through a university degree in music, cooking at a restaurant that was attached to the iconic Canadian indy store, The Bookshelf. The store manager stuck his head in the door of the kitchen and said there was an opening in the bookstore and if anyone was interested, now was the time to speak up. I had just had a very timely conversation with one of my music instructors that went something like “If you get burned or cut working in a kitchen, you’re out of the program. You don’t get 2 months off to rehab an injury; you’re just out.” That got me into the store. Fast forward another couple of years, I have graduated with my music degree, so of course I’m still working in the bookstore. But I didn’t love stocking shelves, and we were just reading about this startup in Seattle that had just left the garage and was selling books online. I thought “We could definitely do this,” and the store owner agreed, so we gathered a little group together and started the first online bookstore in Canada, bookshelf.ca, next door to the store in the storage space of a gift basket company next door. It was 1995-ish. Since then, most of the jobs I’ve had have been where books, business and technology crash into each other.

You were part of the team that founded Kobo in 2009. What was your vision for Kobo, and what sets the company apart?

I was CEO of BookNet Canada when ebooks first started to gather momentum. We launched one of the first conferences on digitization, TechForum, and that was where Mike Serbinis gave one of the first presentations of this app that they had created, called Shortcovers. Indigo was backing it, and it was one of the purest examples I have ever seen of a retailer tackling the innovator’s dilemma head-on. They built something that threatened their core business and put their smartest people on it to make it work. Maybe a month after, they asked if I wanted to join to head up the sales and content sides of the business – ecommerce, publishers, authors, and anything else that needed a home. I had been running BookNet for six years, together with an incredible group of people, and it was one of those “don’t look, just leap” moments. I joined a company in a basement that was selling maybe 25 books a day.

But the vision was crystal clear: this is the start of a transformation in reading. No one, deep down in their hearts, believes that we are still going to be chopping down trees and  pressing ink into them 50 years from now to do our reading. So a change is coming. The only questions are “how quickly” and “who will make it happen?” What I had learned from bookshelf.ca and Indigo is that you can compete successfully against really big companies. Canada isn’t like the US – Amazon hasn’t washed away all domestic competition, online or in-store. If you are focused, have some serious up-front investment, and pick your battles carefully, you can dance between the elephants’ feet. So while Amazon, Apple, Barnes & Noble and Google were all fighting each other for control of the U.S. market, we started building out businesses in every single other country that looked like it needed an ebook solution. We partnered with retailers like Indigo who saw ebooks coming, wanted a solution that would let them maintain connection with their customers, and were looking for someone who could help them compete. And it worked. Now if you look around the world, Amazon really only dominates a couple of markets for ebooks — the US and the UK. Everywhere else, it’s a real fight – France, Germany, Netherlands, Spain, Italy, Australia, New Zealand, Portugal, on and on. And in most of those markets, there is a bookseller partnered with Kobo who is keeping their marketshare, going toe-to-toe with the biggest tech companies in the world. It’s pretty fantastic.

For some time now it has been in the public mind that there is a competitive, perhaps even antagonistic relationship between digital and print media. Do you share this view? What do you think the future of book publishing will look like, when it comes to print vs. ebooks?

There will always be print books. There are some books that are just beautiful objects. I would say this is a tempest-in-a-teapot issue made up of 1/3 economics, 1/3 aesthetics and 1/3 McLuhan.  Publishers make good margin on ebooks, and the physical supply chain has costs that publishers would probably love to say goodbye to. But the print book retail market is much more diverse – chains, Indies, grocery, discount stores – than the ecommerce or ebook business. If I had to guess, I think publishers look at the print world as a hedge, a barrier that keeps a few players from being completely dominant. So they are very careful to support it, maintain it, keep it healthy. That gets wrapped in “I could never let go of paper books! I love the smell of them and the feel of pages against my face…”. That’s an aesthetic stance more than a practical one, one that gets harder to sustain when you hit your 40s, need reading glasses and then find out that it’s really really nice to be able to make the font on a book bigger! There is a never-ending tension in the book business between higher-prices/smaller-audiences (hardcovers, trade paper) and books for the masses (paperbacks, libraries, ebooks, library ebook access). eBooks are just the latest manifestation of books as a mass medium: “How do we get this book to as many people as possible as cheaply as possible?” with all of the usual forces lined up against that impulse.

In a recent article for Forbes, you wrote about the hidden age discrimination in the tech world, that a disinterest in the needs of older consumers is a costly strategic error. What are the long-term benefits of designing with older users in mind?

You can approach it two ways: one is as an issue of accessibility. Anything you do that makes life easier for a sight-impaired person, for a person who has issues with manual dexterity, for a person who can’t lift something that is too heavy, it makes the experience better for everyone. The other is from a market perspective: older adults are the fastest growing demographic in the U.S., in Canada, in the EU. These are countries in the middle of a massive demographic shift. And they, on average, love reading, love books, have disposable income, and have time both to read books and buy them. Being in the book business and not designing for older adults is like being in the boat business but not caring much about motors, sails or oars.

Tell us about your personal library. What’s on your shelves, and what’s on your ereader?

In paper: cookbooks, art books, books that are just made beautifully that make you happy just by picking them up. In digital: everything else. All the fiction, non-illustrated non-fiction, fan fiction, the stuff that you read a review about and go “Oh that sounds cool – I should read that!” Really, everything where the content is more important than the object. I also move around a lot, so having most of my library with me all the time is a massive benefit.

What have you been reading recently, and what would you recommend to others?

I started missing travel about a year ago, so I was tearing through books that took me to places I knew. The Ben Aaronovitch Rivers of London paranormal series took me back to places I knew right down to the brass on the doorknobs. Meet Me In the Bathroom about the NYC music scene of 2000-2010. Layered through that was reading that was coming out of Kobo’s Diversity & Inclusion work: Eric Foner’s incredible books on Reconstruction, P. Djèlí Clark’s Ring Shout, 21 Things You May Not Know About the Indian Act by Bob Joseph (for the Canadians reading this). And then books I have been reading for our podcast Kobo In Conversation: Katie Mack’s The End of Everything (Astrophysically Speaking), Malcolm Gladwell’s The Bomber Mafia. So much good stuff.

Labels: book world, ebooks, interview

Tuesday, September 7th, 2021

September 2021 Early Reviewers Batch is Live!

Win free books from the September 2021 batch of Early Reviewer titles! We’ve got 98 books this month, and a grand total of 2,970 copies to give out. Which books are you hoping to snag this month? Come tell us on Talk.

If you haven’t already, sign up for Early Reviewers. If you’ve already signed up, please check your mailing/email address and make sure they’re correct.

» Request books here!

The deadline to request a copy is Monday, September 27th at 6PM Eastern.

Eligiblity: Publishers do things country-by-country. This month we have publishers who can send books to the US, Canada, the UK, Israel, Australia, France, Germany, and many more. Make sure to check the flags by each book to see if it can be sent to your country.

Thanks to all the publishers participating this month!

Candlewick EntertainmentWalker Books USCandlewick Press
West Margin PressNiv BooksAkashic Books
Black Rose WritingGalaxy PressRipetta Press
Plough Publishing HouseRootstock PublishingOoligan Press
New Vessel PressCity Owl PressBooxAi
BOA Editions, Ltd.TouchPoint PressBook Publicity Services
Cardinal Rule PressCrooked Lane BooksThree Rooms Press
Cozy Corner PressGreenleaf Book GroupTiny Fox Press
CarTech BooksOpen BooksRevell
BookViewCafeBellevue Literary PressRed Adept Publishing
Highlander PressGreystone BooksScience, Naturally!
Platypus MediaFrayed Edge PressVibrant Publishers
Henry Holt and CompanyBHC Press

Labels: early reviewers, LTER

Monday, August 2nd, 2021

August 2021 Batch of Early Reviewers is Live!

Win free books from the August 2021 batch of Early Reviewer titles! We’ve got 80 books this month, and a grand total of 2,411 copies to give out. Which books are you hoping to snag this month? Come tell us on Talk.

If you haven’t already, sign up for Early Reviewers. If you’ve already signed up, please check your mailing/email address and make sure they’re correct.

» Request books here!

The deadline to request a copy is Monday, August 30th at 6PM Eastern.

Eligiblity: Publishers do things country-by-country. This month we have publishers who can send books to the US, Canada, the UK, Israel, Australia, France, Germany, and other countries. Make sure to check the flags by each book to see if it can be sent to your country.

Thanks to all the publishers participating this month!

TouchPoint Press Candlewick Press Walker Books US
MIT Kids Press Mission Point Press Highlander Press
Faie Miss Press Thornbush Press Black Rose Writing
Book Publicity Services Niv Books Rootstock Publishing
Nysa Media Akashic Books Plough Publishing House
Gibson House Press Greywood Bay Tolwis Publishing
Revell Red Adept Publishing IVP
West Margin Press Quiet Thunder Publishing NewCon Press
Vibrant Publishers BookViewCafe Meerkat Press
BHC Press Wise Media Group Cardinal Rule Press

Labels: early reviewers, LTER

Tuesday, July 27th, 2021

TinyCat’s July Library of the Month: The Texas Astronomical Society of Dallas

To read more about TinyCat’s Library of the Month feature, visit the TinyCat Post archive here.

Astronomy is for stargazers, dreamers, explorers, scientists, astronauts (obviously), and really anyone who has ever been interested in or intrigued by the universe. I’m definitely one of those individuals, and this month I had the pleasure of interviewing Kelley Miller at the Texas Astronomical Society (TAS) of Dallas, who volunteers her time as the TAS Librarian, to learn more about their library:

Who are you, and what is your mission—your “raison d’être”? Tell us some interesting things about how your library supports the community.

This is the library for the Texas Astronomical Society of Dallas (TAS), chartered in 1955 to promote the study of astronomy and related fields and to pursue observation and construction of instruments as a hobby. Members can check out books related to any part of the hobby they might be interested in, such as astronomical observing, astrophotography, general astronomy knowledge and history. Books have been donated by members or book authors (some of which are members!). We currently have 730 titles in the library, some with multiple copies. We have approximately 50 books that reside at our dark sky site/observatory in southeast Oklahoma. The rest of the collection is kept in a dedicated library room at my home.

What are some of your favorite items in your collection?

My favorite items in the collection are some of the older books. It’s fascinating to see what was known about the universe 50 to 100 years ago and compare that to what we know now. I also really enjoy the many star atlases/maps and other books related to star lore and mythology.

What’s a particular challenge your library experiences?

We don’t have a central location to house the collection. As a non-profit organization, we don’t have the funds to rent a space, and my house is about 45 minutes or more away from most other members. For now, the list of available books is in a spreadsheet hosted on the club’s website. However, the spreadsheet does not provide much information about the book beyond the title, authors’ names and subjects. Members can send an email to me (TAS Librarian) to request a book from the library, which is either mailed to the member or delivered in person at one of our monthly meetings (once they start again post-pandemic). I am in the process of adding the entire collection to TinyCat so that members can get more information about each title and request to check out a book. I am only about 25% complete with this project. Once this is complete, the next challenge is to maybe find a better location where members can peruse the books in person and check them out via TinyCat.

What is your favorite thing about TinyCat, and what’s something you’d love to see implemented/developed?

I love being able to add a picture of the book cover. In the library, I have each shelf labeled. I am able to put this in the Comments section, but it would be neat to have a dedicated field for shelf location to make it easier to find the book when someone wants to check it out. Our members are very technically savvy, so I think they are going to love the ability to see our library collection in an app and be able to check out books. I think it will also make it much easier to manage the library.

Great feedback. You could use your own custom call number system and LibraryThing’s “Call number” field to denote a book’s location in your library! Read our blog post here for more information. I hope this helps.


Want to learn more about the TAS of Dallas? Visit their website here, and check out their full TinyCat collection here.

To read up on TinyCat’s previous Libraries of the Month, visit the TinyCat Post archive here.

Calling all TinyCat libraries: become TinyCat’s next Library of the Month—just send us a Tweet @TinyCat_lib or email Kristi at kristi@librarything.com.

Labels: libraries, Library of the Month, TinyCat

Tuesday, July 6th, 2021

July 2021 Batch of Early Reviewers is Live!

Win free books from the July 2021 batch of Early Reviewer titles! We’ve got 76 books this month, and a grand total of 1,973 copies to give out. Which books are you hoping to snag this month? Come tell us on Talk.

If you haven’t already, sign up for Early Reviewers. If you’ve already signed up, please check your mailing/email address and make sure they’re correct.

» Request books here!

The deadline to request a copy is Monday, July 26th at 6PM Eastern.

Eligiblity: Publishers do things country-by-country. This month we have publishers who can send books to the US, Canada, the UK, Israel, Australia, France, Germany, and many more. Make sure to check the flags by each book to see if it can be sent to your country.

Thanks to all the publishers participating this month!

Candlewick Press Westminster John Knox Press Admission Press, Inc.
Walker Books US Ooligan Press City Owl Press
Butterfly Light Press, LLC Orca Book Publishers BooxAi
ClydeBank Media Black Rose Writing Greenleaf Book Group
TouchPoint Press Rootstock Publishing 100 Movements
Hawkwood Books BookViewCafe Crooked Lane Books
CarTech Books Henry Holt and Company Gibbs Smith Publishing
Run Amok Books Revell Vibrant Publishers
Three Rooms Press BookWhisperer NewCon Press
Wise Media Group BHC Press Sandra Jonas Publishing
World Weaver Press

Labels: early reviewers, LTER, Uncategorized

Tuesday, June 22nd, 2021

TinyCat’s June Library of the Month: Queer Zine Library

To read more about TinyCat’s Library of the Month feature, visit the TinyCat Post archive here.

We celebrated Pride Month by interviewing an amazing mobile library fondly known as the Queer Zine Library (QZL). QZL Librarian Holly Casio was kind enough to field my questions, and it was a joy learning more about what they do. Check them out:

Who are you, and what is your mission—your “raison d’être”?

Queer Zine Library is a diy mobile library celebrating radical LGBTQIA+ self-publishing. The library is volunteer led and is run by a collective of queer zine makers and readers and librarians. In normal times the library is on tour nine months of the year, taking up space in community spaces, libraries, punk shows, queer venues, and anywhere we are invited. We believe that zines are powerful and should be shared, read, held, and handled as much as possible.

Tell us some interesting things about how your library supports the community.

Queer Zine Library is first and foremost a resource for our LGBTQIA+ communities. Our histories and lived experiences are documented in these pamphlets, zines, and comics rather than in academic texts or ‘proper’ published works. Zines allow us to share our knowledge, skills, and experiences with others in our own voices and it has been wonderful to see readers connect with the collections. While not having a permanent space ourselves might feel like a disadvantage, we feel that being a mobile library gives us power. It avoids us becoming too London-centric, and means that our collections can travel and grow and are ultimately shaped by the next new location.

When we are in queer spaces we offer zine making sessions and zine readings as a way for our communities to engage with the zine collection but also create and add to it as well.We want our readers to become the makers and add to the collections as much as possible.

Over the last year supporting our queer communities has been more challenging as our tours were put on hold. We were due to host a zine maker in residency programme, we had a full tour planned, and suddenly travel and touch, the two things our library is based on, suddenly became dangerous. We moved online, hosting virtual zine readings and exhibitions. Our library catalogue became more important than ever before to showcase our collections and we were able to provide links to digital zines directly from our catalogue records to allow access to a small part of the collections during lockdown.

What are some of your favorite items in your collection?

It’s so hard to pick a favourite zine! Here are a few of our collective’s favourites though:

Building towards an autonomous trans healthcare by Power Makes us Sick (PMS): PMS is a feminist collective focusing on autonomous health care practices and networks. This zine collects ideas, actions, and resources around autonomous trans health care. “Trans people have always been a network of health knowledge because trans healthcare has historically and is still criminalised, incredibly researched and pathologised. Therefore we turn to one another.”

Homospective by Homocrime: A zine produced on the occasion of Nomo Crime, the final event organised by the queer diy collective Homocrime. Homocrime was a diy indiepunk party and record label for queers of all genders & sexualities that happened in London from 2003-2006. This zine contains flyer & singles club images plus a list of events, press cuttings & contributions from organisers, bands, and attendees. The zine is dedicated to the memory of Andy Roberts, friend and collaborator.

Rumours by Margate Queer Zine: Rumours is an anonymous zine series sharing stories, anecdotes, photography, and maps of the queer side of Margate. Issue 1 reviews local gay pubs, drag bars, hotels, and sex shops.

What’s a particular challenge your library experiences?

Queer Zine Library is unfunded and volunteer-led which means that our activities depend on donations and fundraising. We are a very small collective and we all have full-time jobs, but the library means so much to all of us. Our dream is to have a mobile library van and maybe the ability to magically learn how to drive so that we can properly take these collections out for people to see and read where they belong.

What is your favorite thing about TinyCat, and what’s something you’d love to see implemented/developed?

TinyCat is very easy and intuitive to use. Some of our collective are trained library workers with cataloguing experience, but the majority of our collective haven’t worked with libraries previously. TinyCat makes it very easy for all our team to catalogue without it feeling overwhelming or complicated.

The tagging system is probably the most useful to us. Having the ability to separate the media type and the subject tags is really useful. All of our collections are in the form of zines and we can use the media drop-down to create lots of niche subgenres and formats of zines without us having to take up space in the tags to do this. Being able to build our own queer thesaurus in our subject tags is also really useful. In the future we’d love to see this feature developed so we can create ‘see’ and ‘see also’ links to non-preferred or similar headings.

Great suggestion, I’d love to hear more about your thoughts on this. We also have the “Comments” field (aka “Local notes” in TinyCat Detail Pages) that might be useful for added notes or content that you’d like to include on your records.


Want to learn more about Queer Zine Library? Follow them on Twitter and Instagram, visit their website here, and check out their full TinyCat collection here.

To read up on TinyCat’s previous Libraries of the Month, visit the TinyCat Post archive here.

Calling all TinyCat libraries: become TinyCat’s next Library of the Month—just send us a Tweet @TinyCat_lib or email Kristi at kristi@librarything.com.

Labels: libraries, Library of the Month, TinyCat

Wednesday, June 16th, 2021

Come Join the 2021 LGBTQ Pride Month Treasure Hunt!

It’s Pride Month, and that means the return of our annual LGBTQ Pride Month Treasure Hunt!

We’ve let loose a shower of rainbows around the site, and it’s up to you to try and find them all.

  • Decipher the clues and visit the corresponding LibraryThing pages to find a rainbow. Each clue points to a specific page right here on LibraryThing. Remember, they are not necessarily work pages!
  • If there’s a rainbow on a page, you’ll see a banner at the top of the page.
  • You have just over one week to find all the rainbows (until 4pm EDT, Thursday June 24th).
  • Come brag about your shower of rainbows (and get hints) on Talk.

Win prizes:

  • Any member who finds at least one rainbow will be
    awarded a rainbow badge Badge ().
  • Members who find all 12 rainbows will be entered into a drawing for one of five LibraryThing (or TinyCat) coaster sets and stickers. We’ll announce winners at the end of the hunt.

P.S. Thanks to conceptDawg for the cock-of-the-rock illustration! According to Biological Exuberance: Animal Homosexuality and Natural Diversity by Bruce Bagemihl, male cock-of-the-rock “delight in homosexuality.”

ConceptDawg has made all of our treasure hunt graphics in the last couple of years. We like them, and hope you do, too!

Labels: events

Monday, June 7th, 2021

June 2021 Batch of Early Reviewers is Live!

Win free books from the June 2021 batch of Early Reviewer titles! We’ve got 114 books this month, and a grand total of 3508 copies to give out. Which books are you hoping to snag this month? Come tell us on Talk.

If you haven’t already, sign up for Early Reviewers. If you’ve already signed up, please check your mailing/email address and make sure they’re correct.

» Request books here!

The deadline to request a copy is Monday, June 28th at 6PM Eastern.

Eligiblity: Publishers do things country-by-country. This month we have publishers who can send books to the US, Canada, the UK, Israel, Australia, France, Germany, and many more. Make sure to check the flags by each book to see if it can be sent to your country.

Thanks to all the publishers participating this month!

Candlewick Press Akashic Books TouchPoint Press
Rootstock Publishing Black Rose Writing West Margin Press
Five Rivers Publishing Top Five Books Flyaway Books
Henry Holt and Company BookWhisperer Three Rooms Press
New Century William Morrow City Owl Press
Walker Books US Red Adept Publishing CarTech Books
Science, Naturally! Alcove Press Poolbeg Press
Bellevue Literary Press NewCon Press Tiny Fox Press
Anaphora Literary Press Ooligan Press Frayed Edge Press
First Steps Publishing BHC Press Vibrant Publishers
Vibrant Publishers Heritage Books Hawkwood Books
Jolly Fish Press Revell BooxAi
Sandra Jonas Publishing

Labels: early reviewers, LTER

Friday, May 28th, 2021

TinyCat’s May Library of the Month: the Gal’s Guide Library

To read more about TinyCat’s Library of the Month feature, visit the TinyCat Post archive here.

Our May Library of the Month goes to the first independent women’s history lending library in the U.S., the Gal’s Guide Library based out of Noblesville, Indiana! It was a joy to have Founder and Executive Director Leah Leach answer my questions this month:

Who are you, what is your mission—your “raison d’être”, and what’s something interesting about how you support your community?

We are the Gal’s Guide Library, and our mission is to provide an independent women’s history library to preserve, collect, share, and champion women’s achievements and lessons learned. We are also the first lending library in the United States dedicated to women’s history where you can browse the stacks and check out a book.

What are some of your favorite items in your collection?

Some of the favorite items in our collection are the out-of-print books that are nearly lost to history, Conchita’s Cintrón’s Memoirs of a Bullfighter, Babe Didrikson Zaharias’ autobiography This Life I’ve Led, and The Memoirs of Alice Guy Blaché (which invented the film Be Natural narrated by Jodie Foster). These three books really inspired us to create a library.

What’s a particular challenge your library experiences?

Image clockwise from bottom left: Founder/Executive Director Leah Leach, the reading area of the library, shelves, more shelves, and a member’s card to the library.

The challenge in our library experience has been surviving the COVID-19 pandemic. We opened our doors to the public 11 days before the lockdown. We needed to pivot from a lending library to online content. It was a struggle but we found a way to thrive.

What is your favorite thing about TinyCat, and what’s something you’d love to see implemented/developed?

I don’t know if it’s silly or not but I love the animated cover display on the catalog homepage.

Not silly at all, I love the colorful eye candy on the TinyCat homepages as well!


Want to learn more about the Gal’s Guide Library? Follow them on social media (Facebook/Twitter/Instagram/YouTube), visit their website here, and check out their full TinyCat collection here.

To read up on TinyCat’s previous Libraries of the Month, visit the TinyCat Post archive here.

Calling all TinyCat libraries: become TinyCat’s next Library of the Month—just send us a Tweet @TinyCat_lib or email Kristi at kristi@librarything.com.

Labels: libraries, Library of the Month, TinyCat

Monday, May 17th, 2021

Welcome Abigail!

We’re very pleased to welcome Abigail (LibraryThing AbigailAdams26, Litsy AbigailAdams26) to the team, as our new Project Specialist for LibraryThing.com.

Abigail is taking over from Meg, and will be writing State of the Thing, running the official social media accounts on Facebook and Twitter, coordinating the Early Reviewers program, and helping to answer member queries. If it’s writing or editing-related, she will be involved.

Her arrival leaves us with an abundance of Abigails, as she joins LibraryThing’s very first employee, Abby Blachly. We shall henceforth always call Abby “Abby” and Abigail “Abigail”!

Say hello on her LibraryThing profile or on the Welcome Abigail Talk topic.

About Abigail
Abigail was born in Cleveland, but grew up in New York, just north of the city. She received a B.A. in Classics from Oberlin College, and a MPhil in Children’s Literature from Trinity College Dublin. She has worked in the book business since the age of sixteen, when she got her first job at a local Waldenbooks, and has since worked at six other bookstores, in four cities on two continents. At her most recent bookstore, she had the pleasure of meeting some of her favorite children’s book creators.

Abigail currently lives in central New Jersey, with her mother and four somnolent cats answering (sometimes) to Chloe, Emmie, Orion, and Tigger. She has a passion for history (ancient and modern), languages, world music, and children’s literature, and is currently engaged in a project to visit all of her new home state’s Revolutionary War sites.

Favorite Authors: L.M. Montgomery, Robin McKinley, Diana Wynne Jones, Zilpha Keatley Snyder, Georgette Heyer

LibraryThing Member: AbigailAdams26
Litsy Member: AbigailAdams26

Labels: employees

Monday, May 3rd, 2021

May 2021 Batch of Early Reviewers is Live!

Win free books from the May 2021 batch of Early Reviewer titles! We’ve got 94 books this month, and a grand total of 2811 copies to give out. Which books are you hoping to snag this month? Come tell us on Talk.

If you haven’t already, sign up for Early Reviewers. If you’ve already signed up, please check your mailing/email address and make sure they’re correct.

» Request books here!

The deadline to request a copy is Monday, May 31st at 6PM Eastern.

Eligiblity: Publishers do things country-by-country. This month we have publishers who can send books to the US, Canada, the UK, Israel, Australia, France, Germany, and many more. Make sure to check the flags by each book to see if it can be sent to your country.

Thanks to all the publishers participating this month!

Candlewick Press Akashic Books Kaylie Jones Books
University of Chicago Press TouchPoint Press Black Rose Writing
Revell Flux Rootstock Publishing
Charlesbridge Arrowsmith Press Henry Holt and Company
City Owl Press Flyaway Books West Margin Press
Transformation Media Books Mirror World Publishing Hawkwood Books
Iron Bridge Publishing Heritage Books Frayed Edge Press
Scribner Books Meerkat Press Wise Media Group
CarTech Books Prufrock Press Ooligan Press
Poolbeg Press Vibrant Publishers Highlander Press
BHC Press Bellevue Literary Press BookViewCafe
Red Adept Publishing Nysa Media BookWhisperer

Labels: early reviewers, LTER