LibraryThing is pleased to sit down this month with Minnesota-based author Loretta Ellsworth, whose published work includes books for both juvenile and adult audiences. A former middle grade Spanish teacher, Ellsworth received her MFA in Writing for Children and Young Adults from Hamline University, and made her authorial debut in 2002 with the young adult novel The Shrouding Woman. She has had three additional young adult novels published, as well as a picture book for younger children, Tangle-Knot, in 2023. These books have won many accolades, including being named as ALA and IRA Notables, and being nominated for prizes such as the Rebecca Caudill Young Readers’ Award. Ellsworth published her first work for adults, the historical novel Stars Over Clear Lake, in 2017, followed in 2024 by The French Winemaker’s Daughter. Her third historical novel for adult readers, The Jilted Countess, which follows the story of a Hungarian countess who makes her way to Minnesota following World War II, in pursuit of her American GI fiancé, is due out from HarperCollins this coming January. Ellsworth sat down with Abigail this month to discuss the book.

The Jilted Countess was apparently inspired by a true story of a Hungarian countess who emigrated to Minnesota after the Second World War. Tell us a little bit about that original story. How did you discover it, and what made you feel you needed to retell it?

In 1948, a penniless Hungarian countess came to Minnesota to marry the GI fiancé she’d met abroad, only to find out he’d recently married someone else. Determined to stay in the U.S., she appealed to newspaperman Cedric Adams to help her find a husband before she’d be deported in two weeks back to Hungary, which was under Communist control. He agreed, using a fake name for her, and putting her picture in the newspaper, citing her circumstances. She received almost 1800 offers of marriage! And in two weeks she narrowed it down, went on a few dates, chose a husband, and was never heard from again. Fast forward to 2015, when someone found an old copy of that article in their attic and asked columnist Curt Brown if he knew what had happened to her. Curt Brown wrote a short article asking if anyone could provide an answer. Unfortunately, no one could. But that article made me wonder how a Hungarian countess could disappear like that, and I also wondered if she ever encountered her former fiancé again. She was, after all, the first Bachelorette, before the show was even a concept.

Did you do any kind of research, historical or cultural, in order to write the book? What were some of the most interesting things you learned?

I spent an exorbitant amount of time at the Minnesota History Center researching old microfiche articles to find anything I could about her. I examined marriage records for Minneapolis and St. Paul for any Hungarian-sounding names, and I searched for clues as to her whereabouts. Without a name, though, it was very difficult, and I never found her. I also had to research Hungary during and after the war, and the life of aristocrats, which I knew little about.

Contemporary readers might be surprised at the idea of a “Bachelorette” dating program taking place in the 1940s. How do you think Roza’s experience would tally with and differ from that of contemporary women seeking a spouse in this way?

After her marriage, she was approached by Look Magazine and other outlets for interviews, all of which she turned down as she wanted a private life. With social media today, there’s no way Roza would have been able to disappear like she did in 1948. And most likely her search would have taken place on social media rather than through the newspaper and mail.

World War II stories remain perennially popular with readers, despite the passage of the years. Why is that? What is it about this period that continues to speak to us?

I think it was such a pivotal time in the world, and one we’re still struggling to understand. And there are so many hidden stories that we’re constantly discovering about that time period that continue to speak to us. Also, the last of WWII veterans are disappearing, and their stories will be gone as well.

Tell us about your writing process. Do you write in a particular place, have a specific schedule you keep to, or any rituals that help you? Do you outline your stories, or discover them as you go along?

Because I worked as a teacher and had four children of my own, I had to learn to write in short intervals and adapt my writing schedule to be flexible. I wrote everywhere: at soccer practices and coffee shops and the library. Now that I no longer teach and my children are grown, I have a more disciplined schedule and usually write in the mornings in my home office, sometimes stretching into the afternoon. I also have learned to outline, whereas I used to write from the seat of my pants before. It’s helped to save me from a great deal of revision, although I still revise, just not as much as before.

What’s next for you? Will you be writing more historical novels for adults, or perhaps returning to the world of young adult books?

I am working on a young adult novel as well as another historical novel, so I hope to keep my foot in both genres as long as I’m able to. I enjoy both and read both.

Tell us about your library. What’s on your own shelves?

I have one full shelf of books on the craft of writing–I’m still drawn to how others write and am curious about their process. I have a mix of memoir, middle-grade, YA, and a lot of historical fiction. I still buy physical books, and my shelves are always overflowing. I donate a lot of books to our local Friends of the Library group for their annual book sale. And I have so many signed copies of books that I can’t part with. But that’s a good problem to have, isn’t it?

What have you been reading lately, and what would you recommend to other readers?

I read a great deal–I just finished reading the first two books of the Westfallen series by Ann and Ben Brashares with my grandson, and I’m reading The Correspondent by Virginia Evans, The Ivory City by Emily Bain Murphy, and The Gospel of Salome by Kaethe Schwehn. And I just finished James by Percival Everett. There are so many good books out there!

Labels: author interview, interview